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Holy Terrors: Gargoyles on Medieval Buildings
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by
Janetta Rebold Benton
The introduction to this text presents the history, construction and purpose of the medieval gargoyle. The chapters that follow are devoted to the gargoyles in human, animal, and grotesque form and the carvings are considered in the context of medieval life. A guide to gargoyle sites is included.
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Sculpture
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by
Professor Georges Duby
Ranging from ancient to contemporary sculpture, this book is the first study of the history of sculpture to present such an original and comprehensive approach. Taking the sculptures out of the museum context (and thus off of their proverbial pedestals), "Sculpture" presents a completely new view, which affords enlightening comparisons between ...
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The green man
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Jeremy Harte
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Medieval sculpture
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by
Richard Deacon, Phillip Lindley
This work is the result of a collaboration between medieval historian Phillip Lindley and the artist Richard Deacon. They have selected major works of medieval sculpture from across England and Wales for an exhibition at Tate Britain.
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Set in Stone: The Face in Medieval Sculpture
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Charles T Little (Editor), Willibald Sauerlander (Introduction by)
The face in medieval sculpture was an exploration in human identity, marked not only by evolving nuances of style but also by the ongoing drama of European history. The 81 magnificent sculpted heads featured in this volume provide a sweeping view of the Middle Ages, from the waning days of the Roman Empire to the dawn of the Renaissance. Each ...
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Sculpture in Britain: The Middle Ages
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Professor Lawrence Stone
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Corpus of Anglo-Saxon Stone Sculpture: Volume VII: South-West England
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by
Rosemary Cramp
This analytical catalogue of sculpture from the historic counties of Devon, Dorset, Somerset and Wiltshire provides a new perspective on the artistic achievement of the late Saxon kingdom. The volume includes individual pieces of the highest quality such as the Bradford-on-Avon and Winterbourne Steepleton angels or the newly discovered figures ...
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Masterpieces of Western Sculpture: From Medieval to Modern
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Howard Hibbard
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Netherlandish Sculpture 1450-1550
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by
Paul Williamson
One of the very few books available on this subject in English, this volume presents a selection of the best and most representative works from the Victoria and Albert Museum's extensive collection of late-medieval Netherlandish sculpture. Ranging from small, single figures and devotional altar carvings to full-scale altarpieces, the book looks ...
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Medieval sculpture
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Roberto Salvini
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Gargoyles and grotesques : paganism in the medieval church
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Ronald Sheridan, Anne Ross, Ph.D.
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Studies in medieval sculpture
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F. H. Thompson, Society of Antiquaries of London
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Corpus of Anglo-Saxon Stone Sculpture: Volume VIII, Western Yorkshire
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by
Elizabeth Coatsworth
The latest volume in the acclaimed Corpus series completes the cataloguing of the stone sculptures of Yorkshire, and boosts our understanding of the artistic development of southern Northumbria in the pre-Viking and Anglo-Scandinavian periods. The monuments in the historic West Riding of Yorkshire include important collections from Dewsbury, ...
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Sculpture: From Antiquity to the Middle Ages: From the Eighth Century BC to the Fifteenth Century
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by
Xavier Barral I Altet, Philippe Bruneau, Mario Torelli
The illustrations in this book foster an appreciation of world sculpture, but they also explain historical themes concerning patterns of imagery and meaning, the role of politics and devotion, and the signs of modernity in the late Gothic period.
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The Crosses & Culture of Ireland
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Arthur K Porter
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Sheela-Na-Gigs of Ireland and Britain: The Divine Hag of the Christian Celts
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by
Jack Roberts, Joanne McMahon
Sheela-na-Gigs are carvings of female images depicted as naked and posing in a manner which accentuates the most powerfully evocative symbol of the vulva. They were erected on many churches of the medieval period and invariably in a prominent position such as over the main entrance door or a window. In Ireland where the practice continued into the ...
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Pre-Romanesque sculpture in Italy.
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Arthur Haseloff
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Medieval Mischief: Wit and Humour in the Art of the Middle Ages
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by
Janetta Rebold Benton
The art and architecture of the Middle Ages teem with humour. Everywhere you look in medieval creations, there is the most unexpected, crazy and risque wit. From the painting of a poacher roasted over a spit by a rabbit to an image of angels and devils weighing souls and both cheating, Janetta Rebold Benton has brought together some of the most ...
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Irish High Crosses: With the Figure Sculptures Explained
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Peter Harbison, Hilary Gilmore (Illustrator)
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Studies in Asian Art and Archaeology, the Sculpture of Early Medieval Rajasthan
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Cynthia Packert Atherton, Cynthia Packert Atherton
This work argues that the monuments erected in early-medieval Rajasthan provide rich sources of information about iconographic preferences and artistic styles. The Gurjara Pratihara presence in the region is seen as having been both energizing and disruptive, particularly to dominant styles.
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The Green Man
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by
Kathleen Basford
The Green Man, the image of the foliate head or the head of a man sprouting leaves, is probably the most common of all motifs in medieval sculpture. Nevertheless, the significance of the image lay largely unregarded until Kathleen Basford published this book - the first monograph of the "Green Man" in any language - and thereby earned the lasting ...
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Sacred & Satiric: Medieval Stone Carving in the West Country
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by
J H Bettey
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Romanesque Sculpture: The Revival of Monumental Stone Sculpture in the Eleventh and Twelfth Centuries
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M F Hearn
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Dark age sculpture : a selection from the collections of the National Museum of Antiquities of Scotland
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National Museum of Antiquities of Scotland, Joanna Close-Brooks, Robert B. K. Stevenson
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Stone Sculptures
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by
Fred Orton (Editor), Catherine E Karkov (Editor)
Theorizing Anglo-Saxon Stone Sculpture significantly advances the complex study of Anglo-Saxon carved monuments, such as the Ruthwell Cross, by adopting more explicit theoretical approaches to the subject. Scholars included here are explicit in describing how their approaches complement (or, more often, contradict) the work of others. "For too ...
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