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Bernini and the Birth of Baroque Portrait Sculpture
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Andrea Bachi, Julian Brooks, Dr. David Franklin
Gianlorenzo Bernini was the greatest sculptor of the Baroque period, and yet - surprisingly - there have been only a handful of shows related to his work in modern times.Bernini's portrait busts were masterpieces of technical virtuosity; at the same time, they revealed a new interest in psychological depth. His ability to capture the essential ...
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The Study and Criticism of Italian Sculpture
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John Pope-Hennessy
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Bernini
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Rudolf Wittkower
Gian Lorenzo Bernini (1598-1680) was the most influential sculptor of his age. Inventive and skilled, he virtually created the Baroque style. In his religious sculptures he excelled at capturing movement and extreme emotion, uniting figures with their setting to create a single conception of overwhelming intensity that expressed the fervour of ...
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Italian Baroque Sculpture
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Bruce Boucher (Preface by)
This book highlights the sculpture associated with the Baroque style of art and architecture, which flourished in Europe from around 1550 to 1700. These works are characterized by elaborate ornamentation and intense emotion on a large scale. Boucher includes examples of works by Stefano Maderno, Francesco Mochi, and Gian Lorenzo Bernini for their ...
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Art of the Renaissance Bronze: The Robert H. Smith Collection, Expanded Edition
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Anthony Radcliffe, Dr. Nicholas Penny
The fruits of sixteen years of discriminating acquisition on the international art market, Robert Smith's is one of the most important collections of European bronzes in private hands today. The collection embraces the Renaissance in Italy and northern Europe in such a way that its components complement and enhance the appreciation of each other. ...
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Italian Renaissance Sculpture
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Roberta J M Olson
From the WORLD OF ART series, a survey of the artistic achievements of the Renaissance sculptors from Nicola Pisano through Brunelleschi and Donatello to Michelangelo and Cellini.
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David by the Hand of Michelangelo: The Original Model Discovered
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Frederick Hartt, David Finn (Photographer)
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The Three Graces
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Timothy Clifford, John Kenworthy-Browne, Hugh Honour
Antonio Canova (1757-1822)suffers not only from having been overlooked, but from the superabundance of praise, indeed outright worship that was meted out to him by his contemporaries and the majority of subsequent fellow-sculptors, connoiseurs, and aesthetics throughout the 19th century. Canova was for them the quintessential sculptor and in all ...
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Ettore Sottsass: Ceramics
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Ettore Sottsass, Jr.
The founder of the Memphis design movement, Sotsass himself talks about his ceramics, with 100 color plates that bring to life not only his designs but his philosophy.
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Maurizio Cattelan
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Nancy Spector, Francesco Bonami, Barbara Vanderlinden
This comprehensive monograph documents the work of Maurizio Cattelan, the best-known Italian artist to have emerged internationally in the 1990s. His work has featured in three editions of the Venice Biennale (1993; 1997; 1999) and in major venues worldwide, including The Museum of Modern Art, New York (1998); and the Tate Gallery, London (1999). ...
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Introduction to Italian Sculpture - Volume 2
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Sir John Wyndham Pope-Hennessy
For the fourth edition of this introduction to Italian sculpture, the author has thoroughly revised the text, notes and bibliographies, incorporating all the significant new research and publications since the last major revision in 1970-2. Volume II, spanning the 15th century, is dominated by the revolutionary genius of Donatello, whose work is ...
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Masterpieces of Renaissance and Baroque Sculpture from the Palazzo Venezia, Rome: Georgia Museum of Art, October 5-November 24, 1996
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Georgia Museum of Art, Shelley Zuraw, Letizia Casanova
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Italian Gothic Sculpture
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John Pope-Hennessy
For the fourth edition of this introduction to Italian sculpture, the author has thoroughly revised the text, notes and bibliographies, incorporating all the significant new research and publications since the last major revision in 1970-2. Volume I covers the period from about 1150 to 1400. The sculptors dealt with include Nicola and Giovanni ...
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Gold, Silver, and Bronze: Metal Sculpture of the Roman Baroque
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Jennifer Montague
Roman baroque sculpture is usually thought of in terms of large-scale statues in marble and bronze, tombs, or portrait busts. Smaller bronze statuettes are overlooked, and the extensive production of sculptural silver--much of which is now lost but can be studied from drawings--is omitted from the
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It Hi Rens & Barq Scul
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Sir John Wyndham Pope-Hennessy
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Essays on Italian Sculpture,
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Pre-Romanesque sculpture in Italy.
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Arthur Haseloff
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The sculpture of Donatello
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H. W. Janson
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Italian Sculpture of the Renaissance: The Charles Eliot Norton Lectures for the Years 1927-1928
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Eric R. Maclagan
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Italian Renais Sculptr
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Sir John Wyndham Pope-Hennessy
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Politics, Civic Ideals and Sculpture in Italy, C.1240-1400
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Brendan Cassidy
This book explores how the different forms of government and political factions in the Italian city states c. 1240-1400 used sculpture in different ways to express their ideals and achievements. It examines favoured themes in the republics (Florence, Siena, Venice et al), in the kingdom of Naples and at the courts of the signori (Milan, Verona and ...
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Michelangelo and His World: Sculpture of the Italian Renaissance
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Joachim Poeschke, Russell Stockman (Translator), Albert Hirmer (Photographer)
A comprehensive examination, grounded in current scholarly research, of the sculpture of the late Italian Renaissance, placing it in its social and intellectual context. Among the topics considered by the author are the evolution of sculpture from mechanical to fine art; the pervasive influence of the classical ideal; and the colossal statues, ...
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Tullio Lombardo and Ideal Portrait Sculpture in Renaissance Italy, 1490-1530
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Alison Luchs
This book focuses on one of Tullio Lombardo's most famous works whose meaning has long eluded scholars. Situating it in the context of patronage and collecting during a vital period in Venetian art history, Alison Luchs' study sheds light on the meaning of this alluring double portrait. Positing its significance as a new genre for private ...
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Romanesque Sculpture in Campania
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Dorothy F Glass
Although medieval Campania was part of the Norman kingdom, which at its zenith included almost all of southern Italy, it has distinguishable characteristics that set it apart from its neighbours: the emphatic imprint of the Roman past, a long-lived Lombard settlement, the authoritative conservatism of the Abbey of Monte Cassino, the lack of ...
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Donatello and His World: Sculpture of the Italian Renaissance
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Joachim Poeschke, Russell Stockman (Translator)
The Italian Renaissance is known to have been a golden age for the arts. This volume, which spans the years 1400-1490, examines early Italian Renaissance sculpture. While the author's central focus is on the work of Donatello, the author also illustrates the beginnings of Renaissance sculpture in Florence, its further development in Tuscany and ...
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