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Arnold Schoenberg's Journey
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Allen Shawn
Allen Shawn explores the life of Arnold Schoenberg, choosing to tell the composer's story not in an academic, chronological way but as a series of offbeat, personal linked essays that look at Schoenberg's many facets, including the uneasy blend of radical and traditionalist that infuses his works.
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Composition with twelve notes related only to one another
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Josef Rufer
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Arnold Schoenberg
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Charles Rosen
In this lucid, revealing book, award-winning pianist and scholar Charles Rosen sheds light on the elusive music of Arnold Schoenberg and his challenge to conventional musical forms. Rosen argues that Schoenberg's music, with its atonality and dissonance, possesses a rare balance of form and emotion, making it, according to Rosen, "the most ...
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Schoenberg, Kandinsky and the Blue Rider
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Fred Wasserman, Scala Publishers (Creator)
This volume features major works by Kandinsky and other members of the Blue Rider group, including August Macke, Gabriele Munter, Alexej von Jawlensky, David Burliuk and Albert Bloch.
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Arnold Schoenberg
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H. H. Stuckenschmidt
The author, one of the foremost German musical figures, presents Schoenberg as a composer, teacher and man. He shows the immense difficulties he was forced to overcome, and the reactions and influence his work created. The artist's personal life is related to his music, his marriages, his religious conversion, and his travels from Vienna to Berlin ...
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Schoenberg
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Malcolm MacDonald
In this completely rewritten and updated edition of his long-indispensable study, Malcolm MacDonald takes advantage of 30 years of recent scholarship, new biographical information, and deeper understanding of Schoenberg's aims and significance to produce a superb guide to Schoenberg's life and work. MacDonald demonstrates the indissoluble links ...
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Four Jews on Parnassus: A Conversation: Benjamin, Adorno, Scholem, Sch'onberg
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Carl Djerassi
This book features a CD of rarely performed music, including a specially commissioned rap by Erik Weiner of Walter Benjamin's "Thesis on the Philosophy of History."Theodor W. Adorno was the prototypical German Jewish non-Jew, Walter Benjamin vacillated between German Jew and Jewish German, Gershom Scholem was a committed Zionist, and Arnold ...
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Schoenberg's Musical Imagination
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Michael Cherlin
No composer was more responsible for changes in the landscape of twentieth-century music than Arnold Schoenberg (1874-1951) and no other composer's music inspired a commensurate quantity and quality of technical description in the second half of the twentieth century. Yet there is still little understanding of the correlations between Schoenberg's ...
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Schoenberg's Transformation of Musical Language
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Ethan Haimo
Arnold Schoenberg is widely regarded as one of the most significant and innovative composers of the twentieth century. It is commonly assumed that Schoenberg's music divides into three periods: tonal, atonal, and serial. It is also assumed that Schoenberg's atonal music made a revolutionary break with the past, particularly in terms of harmonic ...
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Perspectives on Schoenberg and Stravinsky
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Benjamin Boretz
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Schoenberg and His World
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Professor Walter Frisch (Editor)
As the twentieth century draws to a close, Arnold Schoenberg (1874-1951) is being acknowledged as one of its most significant and multifaceted composers. "Schoenberg and His World" explores the richness of his genius through commentary and documents. Marilyn McCoy opens the volume with a concise chronology, based on the latest scholarship, of ...
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Schoenberg and the New Music
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by
Derrick Puffett (Translator), Alfred Clayton (Translator), Carl Dahlhaus (Notes by)
This book is a collection of essays, by the leading German musicologist of our day, on one of the most controversial and influential composers of our century: Arnold Schoenberg. Schoenberg is considered here as a historical figure, as a thinker and theoretician and as a composer whose works may be subjected to technical analysis and/or examined in ...
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Jewish Identities: Nationalism, Racism, and Utopianism in Twentieth-Century Music
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by
Klara Moricz
"Jewish Identities" mounts a formidable challenge to prevailing essentialist assumptions about 'Jewish music,' which maintain that ethnic groups, nations, or religious communities possess an essence that must manifest itself in art created by members of that group. Klara Moricz scrutinizes concepts of Jewish identity and reorders ideas about ...
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Schoenberg, Berg, and Webern: A Companion to the Second Viennese School
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by
Bryan R Simms (Editor)
A study of Schoenberg, Berg and Webern, modern composers living in Vienna near the turn of the 20th century, in a broad artistic context. It illustrates how their works grew from earlier Viennese musical developments. Presenting an analysis of a central school of modern musical composition, the essays compare the artists' music to that of the non ...
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The Atonal Music of Arnold Schoenberg, 1908-1923
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by
Bryan R SIMMs
In the years from 1908 to 1923, Arnold Schoenberg developed a compositional strategy that moved beyond the accepted concepts and practices of Western tonality. Pieces from this period, such as Pierrot Lunaire and Erwartung, remain masterpieces of the modern repertoire. The lasting importance of Schoenberg's atonal music is reflected in the very ...
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Arnold Schoenberg: Notes, Sets, Forms
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Silvina Milstein
In this thought-provoking study, Silvina Milstein proposes a reconstruction of Schoenberg's conception of compositional process in his twelve-tone works, which challenges the prevalent view that this music is to be appropriately understood exclusively in terms of the new method. Her claim that in Schoenberg we encounter hierarchical pitch ...
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Schoenberg and His School: The Contemporary Stage of the Language of Music
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Rene Leibowitz
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Letters
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Arnold Schoenberg
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Arnold Schoenberg Companion
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by
Walter B Bailey (Editor)
With language unencumbered by technical jargon, these scholarly writings bring to life the various facets of Schoenberg's creative process and its influence. Topics include biographical essays, surveys of the music from different periods in Schoenberg's career, and essays on the development of Schoenberg's style, on Schoenberg's attitudes toward ...
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Philosophy of New Music
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Theodor Wiesengrund Adorno, Professor Robert Hullot-Kentor (Translator)
In 1947 Theodor Adorno, one of the seminal European philosophers of the postwar years, announced his return after exile in the United States to a devastated Europe by writing Philosophy of New Music. Intensely polemical from its first publication, every aspect of this work was met with extreme reactions, from stark dismissal to outrage. Even ...
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Schonberg and Kandinsky: An Historic Encounter
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Konrad Boehmer (Editor)
The historic encounter around 1911 between the composer Arnold Schonberg and the painter Wassily Kandinsky occurred at a moment when the first wild revolts against traditional art - Dada and Futurism - had just manifested themselves. This volume is a collection of the papers presented at the conference on Schonberg and Kandinsky at the Royal ...
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Schoenberg Chamber Music
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Arnold Whittall
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Schoenberg Remembered: Diaries and Recollections, 1938-1976
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Dika Newlin
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Music of My Future: The Schoenberg Quartets and Trio
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by
Reinhold Brinkmann (Editor), Christoph Wolff (Editor)
Schoenberg's quartets and trio, composed over a nearly forty-year period, occupy a central position among twentieth-century chamber music. This volume, based on papers presented at a conference in honour of David Lewin, collects a wide range of approaches to Schoenberg's pieces. The first part of the book provides a historical context to these ...
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The Early Works of Arnold Schoenberg, 1893-1908
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Professor Walter Frisch
Between 1893 and 1908, Arnold Schoenberg created many masterpieces in the genres of Lieder, chamber music and symphonic music. This account of his early tonal works, traces the development of technique and aesthetic across this critical 15-year period of the composer's career, providing detailed analyses of compositions such as "Pelleas und ...
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