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Ways of Seeing
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John Berger
WAYS OF SEEING (1972), one of John Berger's best known works, began as a series of BBC programs. Both TV shows and book attempt to popularize some of Berger's very anti-establishment ideas about art, particularly his proto-feminist way of looking at the nude, his appreciation of photography and other mechanically reproduced art, and his ...
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On Photography
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Susan Sontag
In her great classic work ON PHOTOGRAPHY (1977), without including a single photograph, Susan Sontag looks at the impact of photography on real life in the 20th century. Her thesis is that the universal presence of the photographic image in our lives as something we take for granted has made the photograph more real than what it represents, and ...
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World History of Photography
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Naomi Rosenblum
From the camera lucida to the latest in digital image making and computer manipulation, photographic technology has dramatically changed throughout its nearly 200-year history, as succinctly explained and powerfully illustrated in "A World History of Photography". Thanks to the unique immediacy with which photography captures perspective and ...
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Criticizing Photographs: An Introduction to Understanding Images
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Terry Barrett
This brief text is designed to help both beginning and advanced students of photography better develop and articulate thoughtful criticism. Organized around the major activities of criticism (describing, interpreting, evaluating, and theorizing), "Criticizing Photographs" provides a clear framework and vocabulary for students' critical skill ...
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History of Photography: From 1839 to the Present
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Beaumont Newhall
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The art spirit
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Robert Henri
Embodying the entire system of Robert Henris teaching, The Art Spirit contains much valuable advice, critical comment, and inspiration to every student of the arts.
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Classic Essays on Photography
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Alan Trachtenberg
This anthology gathers into a single volume 30 essays which embody the history of photography. Contributors include: Niepce, Daguere, Fox Talbot, Poe, Baudelaire, Emerson, Hine, Stieglitz, Weston, Abbot, Barthes and others. Their writings encompass the technical origin and development of the medium, the aesthetic perspective of many influential ...
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Art and Visual Perception: A Psychology of the Creative Eye
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Rudolf Arnheim
Since its publication fifty years ago, this work has established itself as a classic. It casts the visual process in psychological terms and describes the creative way one's eye organizes visual material according to specific psychological premises. In 1974 this book was revised and expanded, and since then it has continued to burnish Rudolf ...
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Winogrand: Figments from the Real World
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John Szarkowski (Editor)
The first comprehensive overview of the work of Garry Winogrand, long out of print and difficult to come by, contains an eloquent and important essay on the life and work of the photographer by John Szarkowski and a lavish plate section presenting the 208 photos thematically.
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The International Style
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Henry-Rusell Hitchcock, Philip Johnson
This work sets out to describe the aesthetic qualities intrinsic to the work of such architects as Le Corbusier, Oud, Gropius and Mies van der Rohe. The authors observed the distinguishing features that made possible a definition of a new "style": emphasis on volume as opposed to mass; regularity as opposed to symmetry; and dependence on the ...
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Disney Animation: The Illusion of Life
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Frank Thomas
Filled with marvelous color and black-and-white illustrations, here is the story of Disney animated characters and their creators. Original drawings and sketches of favorite characters will delight the Disney buff.
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Photography: A Critical Introduction
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by
Liz Wells
This is the first introductory textbook to examine key debates in photographic theory and place them in their social and political contexts. Written especially for students in further education, higher education and introductory college courses, it provides a coherent introduction to the nature of photographic seeing. Individual chapters cover key ...
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The Photograph as Contemporary Art
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Charlotte Cotton
This book, now updated and expanded, is a profusely illustrated survey of the use of photography in contemporary art since the mid-1980s. It features the work of more than 170 of internationally renowned and up-and-coming artist-photographers, including Andreas Gursky, Nan Goldin, Philip-Lorca diCorcia, Richard Billingham, Jurgen Teller, Thomas ...
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John Singer Sargent
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Carter Ratcliff
The name of John Singer Sargent evokes paintings of marvelously gowned Edwardian belles, of brooding aristocrats and princes of industry-insightful portraits executed with dazzling virtuosity. Sargent's enduring popularity has prompted a thoughtful reappraisal by prominent art critic Carter Ratcliff, who shows us the surprising breadth of the ...
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Seven Lamps of Architecture
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John Ruskin
Classic work by great Victorian expresses his deepest convictions of the nature and role of architecture and its aesthetics. Authoritative edition includes reproductions of 14 plates of Ruskin's architectural drawings.
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Writer's Desk
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Jill Krementz
Photos by Jill Krementz of a wide range of well-known writers in their workspaces. Among them are Eudora Welty, E. B. White, Stephen King, Amy Tan, Susan Sontag, Eugene Ionesco, Walker Percy, and Joseph Heller.
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The Contact Sheet
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Steve Crist
Examining the contact sheets from original photographic sessions allows in-depth insight into the subject matter, the photographic process, and often reveals a deeper story that has never been told. More than 100 iconic photographs by world famous photographers are examined in detail in this work.
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Why People Photograph
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by
Robert Adams
Photographs, selected essays, and reviews by Robert Adams This critically acclaimed work brings us a new selection of poignant essays by master photographer Robert Adams. In this volume, Adams evinces his firm belief in the importance of art. Photographers "may or may not make a living by photography," he writes, "but they are alive by it."
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Walker Evans the Hungry Eye
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by
Gilles Mora, John Hill (Foreword by)
Walker Evans ranks with Steiglitz, Steichen and Strand as an artist of the highest calibre. His images captured forever the harshness of the Depression, the beauty of 19th-century brownstone architecture, the very essence of American life. Evans began photographing regularly in 1927, and came to specialize in street life - views of buildings, of ...
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The Nature of Photographs
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by
Professor Stephen Shore (Photographer)
This book grew out of a college course that Stephen Shore taught for many years. Its aim is not to explore photographic content - the subject of an image - but to describe the physical and formal attributes of a photographic print, the very elements that form the tools a photographer uses to define and interpret that content. By teaching us how to ...
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Reading American Photographs: Images as History-Mathew Brady to Walker Evans
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Alan Trachtenberg
Winner of the Charles C. Eldredge Prize. In this book, Alan Trachtenberg reinterprets some of America's most significant photographs, presenting them not as static images but rather as rich cultural texts suffused with meaning and historical content." Reading American Photographs" is lavishly illustrated with the work of such luminaries as Mathew ...
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Meditations on a hobby horse and other essays on the theory of art
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Professor E H Gombrich
Originally published in 1963, this book was the first volume to be published in the author's long and distinguished series of collected essays. In it he addresses fundamental questions about the nature of artistic achievement, the criteria of artistic value, and the role of language in understanding and interpreting images. These essays explore ...
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Sense of Sight
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by
John Berger
This collection of John Berger's essays introduces some of the themes that would become his perennial preoccupations--Cubism, photography, the conflation of politics and art--topics he will explore at greater length in his influential WAYS OF SEEING (1972). The essays in THE SENSE OF SIGHT date from the late 1960s to the mid-1980s.
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A New History of Photography
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by
Michel Frizot
Assembling the most influential and engaging photographs taken since the beginning of the 19th Century, Michel Frizot seamlessly weaves them into a visual and textual narrative which documents photography's evolution from daguerreotype to digital.
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On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton
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Hollis Frampton, Bruce Jenkins (Editor)
As Hollis Frampton's photographs and celebrated experimental films were testing the boundaries of 'the camera arts' in the 1960s and 1970s, his provocative and highly literate writings were attempting to establish an intellectually resonant form of discourse for these critically underexplored fields. It was a time when artists working in diverse ...
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