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The Painters of the Wagilag Sisters Story 1937-1997
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by
Wally Caruana
The dramatic tale of Wititj, the Olive Python, and the two sisters of the Wagilag clan forms the basis of one of the most important Aboriginal ceremonial cycles and painting traditions. These mythical events herald the arrival of the first monsoon season as well as providing the basis for ritual activity and religious knowledge. For the first time ...
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Wiradjuri Spirit Man
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by
Paul Coe, Hetti Perkins (Illustrator), H J Wedge
These paintings, by popular Aboriginal artists, are accompanied by a story and organized around the topics of colonization, mission life, religion, and social issues.
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Australian Aboriginal Paintings
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by
Jennifer Isaacs
A collection of traditional Aboriginal paintings which spans decades and which displays the distinctive styles of two regions of Australia: the western desert and Arnhem Land. The paintings are simply presented to be easily appreciated, with brief notes on information provided by the artists themselves.
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Seeing the Inside: Bark Painting in Western Arnhem Land
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by
Luke Taylor
Seeing the Inside is the first detailed study of one of the world's great visual art traditions and its role in the society that produces it. The bark painting of Aboriginal artists in western Arnhem Land is the product of a unique tradition of many thousands of years' duration. In recent years it has attracted enormous interest in the rest of ...
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Images of Religion in Australian Art
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by
Rosemary Crumlin
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Modern Aboriginal paintings
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by
Rex Battarbee, Bernice Battarbee
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Dream Road: A Journey of Discovery
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by
Percy Trezise
A comprehensive work on the Quinkin art body - one of the largest and most spectacular groups of rock paintings in the world. Covering the caves and cliffs of Cape York Peninsula, Australia, the paintings range in age from 5000 to over 13,000 years. In this intimate account, one of the world's leading experts on Australian rock art recounts the ...
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Michael Jagamara Nelson
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by
Vivien Johnson, Fine Art Publishing
This comprehensive study interweaves the artist's own perspective on his work with the social and political events that inspired him.
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Contemporary Aboriginal Art: A Guide to the Rebirth of an Ancient Culture
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by
Susan McCulloch
The author explores the differing art styles of about twenty land-based Australian communities in Arnhem Land, the Central Desert, and the Kimberley, as well as developments among urban-based artists.
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Australian Aboriginal Paintings in Western and Central Arnhem Land: Temporal Sequences and Elements of Style in Cadell River and Deaf Adder Creek Art
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by
E J Brandl
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Images of Power Aboriginal Art O the Kiberly
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by
Judith Ryan, Kim Akerman
The extraordinarily creative and varied output of artists of Northwestern Australia express different ideas and use different techniques but are united in having a visual 'voice' that reinforces the Aboriginal's rights to the land. From the northwest and central Kimberly are representations of the ethereal Wandjina spirit being, on rock surfaces ...
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Kunwinjku Bim: Western Arnhem Land Paintings from the Collection of the Aboriginal Arts Board: National Gallery of Victoria, 7 December 1984-24 June 1985
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by
Annemarie Brody
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Contemporary Aboriginal Art from the Robert Holmes a Court Collection: Carpenter Center for the Visual Arts, Harvard University, 22 February-25 March, James Ford Bell Museum, University of Minnesota, 20 April-2 June, Lakewood Center for the Arts, Lake...
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by
Lakewood Center for the Arts
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Aboriginal Art and Spirituality
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by
Rosemary Crumlin (Editor), Anthony Knight (Editor)
Available again, the landmark presentation and explanation of aboriginal art, revealing an integral part of Australia's cultural identity.
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Aboriginal art of the western desert
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by
Geoff Bardon
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Dreamings-Tjukurrpa: Aboriginal Art from the Western Desert
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by
Jo-Anne Birnie Danzker (Editor)
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Papunya Tula: Art of the Western Desert
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by
Geoffrey Bardon
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Images in Ochre: The Art and Craft of the Kunwinjku
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by
Adrian Parker
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Wildbird Dreaming: Aboriginal Art from the Central Deserts of Australia
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by
Nadine Amadio
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The Face of the Centre: Papunya Tula Paintings, 1971-84: National Gallery of Victoria, 7th September 1985-27 January 1986
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by
Annemarie Brody
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Windows on the Dreaming: Aboriginal Paintings in the Australian National Gallery
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by
Australian National Gallery
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Mr. Sandman bring me a dream
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Aboriginal paintings from Australia.
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by
Charles Pearcy Mountford, Unesco
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Oenpelli bark paintings
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by
Robert Edwards
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Aboriginal art from Australia; [bark paintings and sculpture lent by the National Gallery of South Australia, Adelaide.
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by
Charles Pearcy Mountford, Adelaide South Australia. National Gallery, Worcester Art Museum, Allentown Art Museum
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