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Introductory Musicianship: A Workbook
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Theodore A Lynn
This workbook emphasizes the fundamental skills of reading and writing music by providing students with ample drill exercises that challenge without overwhelming.
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Contemplating Music: Challenges to Musicology
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Joseph Kerman
Contemplating Music is a book for all serious music lovers. Here is the first full-scale account of ideas and ideologies in music over the past forty years, a period during much virtually every aspect of music was transformed.
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Music, Politics, and the Academy
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by
Pieter C Van Den Toorn
Advocates of "new musicology" claim that technical methods of music analysis are conservative, elitist, positivist, and emotionally arid. This text challenges those claims, asking why cultural, socio-political or gender-studies approaches to music should be deemed more democratic or expressive of music's content or impact. Why should music ...
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Queering the Pitch: The New Gay and Lesbian Musicology
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Philip Brett
Is music the patriarchy's most powerful weapon in constructing and controlling sexual roles? If you scratch an opera queen, will you find a lesbian? "Queering the Pitch" aims to provoke readers into questioning what it is that makes music pleasurable, and how it is shaped by notions of sexuality and sexual identity. A collection of gay and lesbian ...
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Music in Primitive Culture
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Bruno Nettl
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Music in Words a Guide to Researching and Writing about Music
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by
Trevor Herbert
An invaluable reference tool giving much needed advice on how to research and write about music, it addresses all the issues that anyone might be confronted with when undertaking a writing task. It introduces methods and procedures that provide a framework for independent research. It has a two-part format with a 'how-to' section and a quick ...
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Studying Popular Music
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by
Richard Middleton
As interest in popular music has increased, so the need for better ways of studying it has become more urgent. It is the author's contention that popular music can be properly understood only through an interdisciplinary method, and this book aims to demonstrate this through a critical analysis of issues and approaches in a variety of areas, ...
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Decentering Music: A Critique of Contemporary Musical Research
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Kevin Ernest Korsyn
As a work of cultural criticism that recalls the concerns of Foucault, Hayden White, Zizek, and others Decentering Music examines the struggle for the authority to speak about music at a time when the humanities are in crisis. By linking the institutions that support musical research, including professional associations and universities, to ...
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A Handbook for Preparing Graduate Papers in Music
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by
J David Boyle, Richard K Fiese, Nancy Zavac
The purpose of Preparing Graduate Papers in Music is to provide music students with some guidelines to assist in the preparation of theses, essays, dissertations, and other papers that may be written as part of their graduate program. This manual includes information and examples for preparing such papers and is designed specifically to assist ...
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From the Erotic to the Demonic: On Critical Musicology
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by
Derek B Scott
From the Erotic to the Demonic demonstrates how different musical styles construct ideas of class, sexuality, and ethnic identity. This book will serve as a model for musicologists who want to take a postmodern approach to their inquiries. The clear and lively arguments are supported by ninety musical examples taken from such diverse sources as ...
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Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology
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Bruno Nettl (Editor), Philip Vilas Bohlman
Nineteen scholars from five countries explore significant issues in the history of ethnomusicology and its methodological and theoretical foundations, while providing a critique of the discipline. "This is a useful and enriching collection of articles of interest to musicologists and ethnomusicologists...The authors manage to cover much ground, ...
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Keeping Score: Music, Disciplinarity, Culture
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by
David Schwarz (Editor), Lawrence M Siegel (Editor), Anahid Kassabian (Editor)
The study of music is ancient, but the disciplined study of music dates back only some two centuries, and began by adapting discourse from pre-existing methods of science and the values of the arts. In the course of the 20th-century, such fields as musicology, ethnomusicology, music theory and composition have become separate disciplines, each ...
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Empirical Musicology: Aims, Methods, Prospects
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by
Eric Clarke (Editor), Nicholas Cook (Editor)
This book provides a practical guide to empirical approaches that are ready for incorporation in the contemporary musicologist's toolkit, including perspectives from music theory, computational musicology, ethnomusicology, and the psychology and sociology of music.
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Modern musical scholarship
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Edward Olleson
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The Origins of Music
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Nils L Wallin (Editor), Bjorn Merker (Editor), Steven Brown (Editor)
What biological and cognitive forces have shaped humankind's musical behaviour and the rich global repertoire of musical structures? What is music for, and why does every human culture have it? What are the universal features of music and musical behaviour across cultures? In this book, musicologists, biologists, anthropologists, archaeologists, ...
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Disciplining Music: Musicology and Its Canons
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Katherine Bergeron (Editor), Philip V Bohlman (Editor)
Provocative and timely, Disciplining Music confronts a topic that has sparked considerable debate in recent years: how do musicians and music scholars "discipline" music in their efforts to confer order and meaning on it? This collection of essays addresses this issue by formulating questions about music's canons--rules that measure and order, ...
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Introduction to Musicology: A Survey of the Fields, Systematic and Historical, of Musical Knowledge and Research
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Glen Haydon
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Developing Variations: Style and Ideology in Western Music
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Rose Rosengard Subotnik
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Rock, the Primary Text: Developing a Musicology of Rock
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by
Allan F Moore
Revised to respond to developments within the discipline and with new material added to reflect the author's and others' further work in this field, this book's focus remains British rock. Its aims are: to establish analytic criteria for rock as a whole; to provide a historicized discussion of British rock; and to enable a critical re-evaluation ...
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Music and Discourse: Toward a Semiology of Music
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by
Jean-Jacques Nattiez, Carolyn Abbate (Translator)
In this book Jean-Jacques Nattiez, well-known for his pioneering work in musical semiology, examines both music and discourse about music as products of human activity that are perceived in varying ways by various cultures. Asking such questions as "what is a musical work" and "what constitutes music", Nattiez draws from philosophy, anthropology, ...
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Musicology and Difference
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by
Ruth A Solie (Editor)
Addressing Western and non-Western music, composers from Francesca Caccini to Charles Ives, and musical communities from 12th-century monks to contemporary opera queens, these essays explore questions of gender and sexuality.
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Doctoral dissertations in musicology
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Cecil Adkins, Alis Dickinson, American Musicological Society
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Musicology: The Key Concepts
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by
David Beard, Kenneth Gloag
"Musicology: the Key Concepts "provides a vital reference guide for students of contemporary musicology. Its clear and accessible entries cover a comprehensive range of terms including: - aesthetics - canon - culture - deconstruction - ethnicity - identity - subjectivity - value - work Fully cross-referenced and with suggestions for further ...
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Music Discourse from Classical
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Professor Maria Rika Maniates (Editor)
The Study of Medieval And Renaissance Music Relies Heavily On Scholarly editions and translations of theoretical and liturgical sources to provide means of interpreting notation, style, and compositional processes. The editing of these texts and sources remains a challenging one for professional musicologists and social historians, as all ...
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Musicology and Performance
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by
Paul Henry Lang, Professor Alfred Mann (Editor), Professor George J Buelow (Editor)
This anthology of Paul Henry Lang's writings includes essays written throughout his career on a full array of musical subjects, as well as unpublished chapters of the book on performance practice that he was writing at the time of his death.
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