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Jazz Styles: History & Analysis
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by
Mark C Gridley
For undergraduate courses in Introduction to Jazz and History of Jazz. This broad and encompassing survey provides a rich, informative, and chronological study of jazz, with insightful commentaries on it's origins, and full descriptions of the various styles of jazz and the personalities that have contributed to this innovative form of music. The ...
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Blues people; Negro music in white America.
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by
LeRoi Jones
The author traces the influence of jazz and blues on white America, not only in the context of music and pop culture but also in terms of the values and perspectives passed on through the music. He aims to illuminate the influence of African Americans on American culture and history.
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The Sound I Saw
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by
Roy Decarava
A photographic portrait of the world of jazz music. Presented as a stream of 196 images interspersed with DeCarava's own poetry, this volume is, in its form and overall effect, a printed equivalent of jazz -composed of overlapping passages of pain, sweetness, optimism and suffering. Roy DeCarava has documented the people, both famous and anonymous ...
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Music for Analysis: Examples from the Common Practice Period and the Twentieth Century
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by
Thomas Benjamin
This text is intended for a typical two or three year theory sequence taught at all four year collages, universities and conservatories as well as many two year schools. Music theory is in-depth analysis that requires a text and an anthology of music - the musical scores that illustrate the theory. This text is an anthology that is designed to ...
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The Technique of Orchestration
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by
Kent Wheeler Kennan
Instruments of the orchestra are clearly described and supported by numerous musical examples and photos. "Suggested Assignments" and "Suggested Listening" lists follow each chapter helping students master and further explore subject matter. Includes updated chapter on writing score and parts with inclusion of material on computer notation and has ...
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Orchestration
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by
Cecil Forsyth
Probably best general book on the subject. Thorough discussion of 57 instruments, technical aspects of writing for each, much else.
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The big bands
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by
George T Simon
The "definitive volume" on the sounds of swing is back, with the complete story of hundreds of bands, bandleaders, vocalists and instrumentalists.
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Jazz: A History
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by
Frank Tirro
The first edition of "Jazz" took the history of jazz up to 1960. Now, in recognition of the developments in jazz study since then, Frank Tirro has rewritten and expanded this text to include many of the latter-day giants, such as Miles Davies, John Coltrane, Ornette Coleman and Wynton Marsalis. The early chapters have also been modified to take ...
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Study of Orchestration
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by
Samuel Adler
This work enables students to understand the basics of orchestrations by choosing the most appropriate instruments, instrumental combinations and instrumental techniques to write an effective orchestral score. It deals with orchestral writing for individual instruments, combinations of instruments, and full orchestra, and this edition has a new ...
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The big band almanac
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by
Leo Walker
With more than 500 pictures, and extensive entries on more than 350 orchestras, this complete coverage of black and white bandsfrom the almost-forgotten Basie, Ellington, Miller, Shaw, and Dorseywill prompt memories and establish important facts about a glorious era of jazz and popular music. Forewords by Les Brown and Harry James and an index ...
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Glenn Miller and his orchestra
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by
George Thomas Simon
Moonlight Serenade, Sunrise Serenade, Little Brown Jug, In the Mood...These and other memorable tunes endeared Glenn Miller to millions in the Swing Era and all who recall those times. After playing trombone and arranging for leading orchestras of the Dorsey brothers, Ray Noble, Ben Pollack, and Red Nichols, Glenn Miller formed his own "sweet" ...
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Symphonies Nos. 8 and 9 in Full Score
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by
Ludwig Van Beethoven (Composer)
Superb, highly authoritative editions (Henry Litolff's Verlag) of "Symphony No. 8 in F Major," "Op. 93, " and "Symphony No. 9 in D Minor, Op. 125." Large, clear noteheads and wide margins.
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Beneath the Underdog: His World as Composed by Mingus
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by
Charles Mingus
Part novella, part autobiography, BENEATH THE UNDERDOG is the legendary jazz bassist and composer Charles Mingus's eccentric history of himself. He cracks his head on the bedroom dresser when he is two, becomes a teenage pimp, and shares a California bandstand with trumpeter Miles Davis, saxophonist Charlie Parker, and pianist Dodo Marmarosa. ...
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Complete Symphonies
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by
Johannes Brahms (Composer), Hans Gal (Editor)
Full orchestral scores. No. 1 in C. Minor, Op. 68; No. 2 in D Major, Op. 73; No. 3 in F Major, Op. 90; and No. 4 in E Minor, Op. 98.
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Understanding Toscanini
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by
Joseph Horowitz
Combining biography with musical criticism, this study reveals why Arturo Toscanini became the object of unparalleled veneration as a classical conductor in the USA. It explores the cultural and commercial mechanisms that fostered the Toscanini cult and created a new audience for classical music.
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Symphonies Nos. 1, 2, 3, and 4 in Full Score
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by
Ludwig Van Beethoven (Composer)
Superb authoritative German editions (Henry Litolff's Verlag) of Symphony No. 1 in C Major, Op. 21; Symphony No. 2 in D Major, Op. 36; Symphony No. 3 in E-flat Major ("Eroica"), Op. 55; more.
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Symphonies Nos. 5, 6, and 7 in Full Score
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by
Ludwig Van Beethoven (Composer)
Superb, authoritative editions of great orchestral masterworks: "Symphony No. 5 in C Minor, Op. 67"; "Symphony No. 6 in F Major" ("Pastoral"), "Op. 68"; "Symphony No. 7 in A Major, Op. 92."
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Orchestration
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by
Walter Piston
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The Beethoven Quartet Companion
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by
Robert Winter (Editor), Robert Martin (Editor)
While the Beethoven string quartets are to chamber music what the plays of Shakespeare are to drama, even seasoned concertgoers will welcome guidance with these personal and sometimes enigmatic works. This collection offers Beethoven lovers both detailed notes on the listening experience of each quartet and a stimulating range of more general ...
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A Guide to Orchestral Music: The Handbook for Non-Musicians
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by
Ethan Mordden
Relaxed and accessible in style, this is the first symphony handbook written especially for the beginning listener. More comprehensive than any other symphony guide--yet more compact--it describes for the radio buff, record collector, and sometime concertgoer over seven hundred orchestral pieces, including symphonies, concertos, suites, tone poems ...
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Swing to Bop: An Oral History of the Transition in Jazz in the 1940s
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by
Ira Gitler
Over a ten-year period, Ira Gitler interviewed more than fifty of the major figures in jazz history to preserve for posterity their recollections of how jazz moved from the big band era in the late 1930s and 1940s into the modern jazz period. The musicians interviewed recreate their own experiences and also evoke the legendary figures of bop who ...
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Essays in Musical Analysis
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by
Donald F. Tovey
This is a collection of 115 critical essays based upon the author's programme notes for concerts with the Reid Orchestra in Edinburgh. They include all of Brahms' overtures and symphonies, 11 symphonies by Haydn, six by Mozart, three each by Schubert, Schumann and Sibelius and many works by Beethoven. Sir Donald Tovey, perhaps best known for his ...
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Hear Me Talkin' to YA
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by
Nat Shapiro (Editor), Nat Hentoff (Editor)
In this marvelous oral history, the words of such legends as Louis Armstrong, Fats Waller, Jelly Roll Morton, Duke Ellington, and Billy Holiday trace the birth, growth, and changes in jazz over the years.
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Symphonic Music
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by
Homer Ulrich
This book attempts to survey this large field afresh, and to do so in connected, chronological fashion. It takes notice of the fact that concertos, overtures, ballets, and suits- often overlooked or minimized in other books on symphonic music- are also parts of the literature.
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A Sound Approach to Teaching Instrumentalists: An Application of Content and Learning Sequences
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by
Stanley L Schleuter
A SOUND APPROACH TO TEACHING INSTRUMENTALISTS applies contemporary methodologies and theories to the instrumental classroom. It examines the application of musical content and learning sequences in teaching instrumental music to students from elementary school through adulthood.
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