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Directing: Film Techniques and Aesthetics
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Michael P Rabiger
"Directing: Film Techniques and Aesthetics" is a comprehensive manual that has inspired tens of thousands of readers worldwide to realize their artistic vision and produce well-constructed films. Filled with practical advice on every stage of production, this is the book you will return to throughout your career. "Directing" covers the methods, ...
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Audio-Vision
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Professor Michel Chion
In Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the mutual relationship between sound and image in audiovisual perception. Chion argues that sound film qualitatively produces a new form of perception: we ...
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Film Form: Essays in Film Theory
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Sergei Eisenstein
Twelve essays written between 1928 and 1945 that demonstrate key points in the development of Eisenstein's film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an Introduction by Jay Leyda; Index; photographs and diagrams.
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The Major Film Theories: An Introduction
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James Dudley Andrew, Dudley Andrew
Dudley Andrew is a master at making the world of film theory accessible to a largely mystified public. Since the publication of his Major Film Theories, a classic in the field, the sophistication of the debate concerning the proper approach to film has grown. It is now the province of critics and universities instead of directors and artists, and ...
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Film Art
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David Bordwell
Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell's and Kristin Thompson's "Film Art" has been the best-selling and widely respected introduction to the analysis of cinema. While it continues to provide the best introduction to the fundamentals of serious film study, the eighth edition has been revised be ...
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Filmosophy
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Professor Daniel Frampton
Filmosophy is a provocative new manifesto for a radically philosophical way of understanding cinema. It coalesces twentieth-century ideas of film as thought (from Hugo M& uuml;nsterberg to Gilles Deleuze) into a practical theory of "film-thinking," arguing that film style conveys poetic ideas through a constant dramatic "intent" about the ...
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On the History of Film Style
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David Bordwell
The study of cinematic style has in many ways shaped attitudes towards films. Style assigns films to a tradition, distinguishes a classic and signals the arrival of an innovation. This book aims to show how film scholars have attempted to explain stylistic continuity and change across the history of cinema. The author explores the theories of ...
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Critical Eye: An Introduction to Looking at Movies
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Margo A Kasdan
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Film in the Aura of Art
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Dudley Andrew, James Dudley Andrew
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The Voice in Cinema
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Professor Michel Chion, Professor Claudia Gorbman (Editor)
How can a voice whose source is never seen& mdash;such as Hal in 2001: A Space Odyssey or the mother of Norman Bates in Psycho& mdash;have such a powerful hold on an audience? When does "synchronized sound" fail to link bodies to their voices, and how do such great stylists of sound film as Jacques Tati, Kenji Mizoguchi, and Marguerite Duras ...
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Aesthetics and Film
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Katherine Thomson-Jones
"Aesthetics and film" is a philosophical study of the art of film. Its motivation is the recent surge of interest among analytic philosophers in the philosophical implications of central issues in film theory and the application of general issues in aesthetics to the specific case of film. Of particular interest are questions concerning the ...
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Interpreting Films: Studies in the Historical Reception of American Cinema
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Janet Staiger
Employing a wide range of examples from Uncle Tom's Cabin and Birth of a Nation to Zelig and Personal Best, Janet Staiger argues that a historical examination of spectators' responses to films can make a valuable contribution to the history, criticism, and philosophy of cultural products. She maintains that as artifacts, films do not contain ...
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World in a Frame: What We See in Films
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Leo Braudy
"An exciting, entertaining exploration of films. . . . [Braudy] attempts to understand rather than promulgate rules and categories, and somehow to keep the criteria of enjoyment in some meaningful connection with the criteria of judgment."--Robert Kirsch, "Los Angeles Times"
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Aesthetics and Psychology of the Cinema
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Jean Mitry
Mitry attempts to supply the missing link between the classical film theorists and the film semioticians, providing a statement of the psychological and formalist views of film. This one-volume condensation of "Esthetique et Psychologie du Cinema" discusses such topics as the film image, rhythm and montage, rhythm and moving shots, and time and ...
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Cinema as a Graphic Art
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Nilsen
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Turbulence and Flow in Film: The Rhythmic Design
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Yvette Biro, Paul Salamon (Translator)
Little attention has been paid to the temporal aspect of filmmaking. "Turbulence and Flow in Film" describes how pace and rhythm create meaning and how film gains its fullness through the flow of images and the speed or slowness of the dramatic action. It demonstrates that the quick or restrained breathing of the sequences is not a secondary ...
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Moving Pictures
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Anne Hollander
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Moving Pictures
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Ann L Hollander, Elisabeth Sifton (Editor)
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Cinema and Painting: How Art is Used in Film
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Angela Dalle Vacche, Angela Dalle Vacche
The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the ...
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Moving Pictures
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Torben Grodal
Moving Pictures is a bold new theoretical account of the role of emotions and cognition in producing the aesthetic effects of film and television genres. It argues that film genres are mental structures which integrate sensations, emotions, and actions, activating the viewer's body and mind. Using recent developments in neuroscience and cognitive ...
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Cocteau on the film
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Cocteau
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The Film: A Psychological Study: The Silent Photoplay in 1916
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Hugo Munsterberg
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The Ethics of Aesthetics in Japanese Cinema and Literature
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Nina Cornyetz
This is an innovative, scholarly and original study of the ethics of modern Japanese aesthetics from the 1930s, through the Second World War and into the post-war period. Nina Cornyetz embarks on new and unprecedented readings of some of the most significant literary and film texts of the Japanese canon, for instance works by Kawabata Yasunari, ...
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The three faces of the film; the art, the dream, the cult.
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Parker Tyler
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Film Criticism: A Counter Theory
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William Cadbury, Leland Poague
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