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Running Scared: Masculinity and the Representation of the Male Body
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Peter Lehman
Our patriarchal culture keeps the male body and especially male genitals out of sight. This scheme, Peter Lehman argues, maintains the 'male mystique' and preserves the power of the phallus. Society's intentional blindness to male sexual representation cultivates 'good taste' and avoids perversion. Lehman draws back the curtain. "Running Scared" ...
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This Mad Masquerade: Stardom and Masculinity in the Jazz Age
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Professor Gaylyn Studlar
-- American Studies International
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Big Bad Wolves
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Joan Mellen
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Masked Men: Masculinity and the Movies in the Fifties
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Steven Cohan
The fifties marks the moment when a heterosexual/homosexual dualism came to dominate U.S. culture's thinking about masculinity. The films of this era record how gender and sexuality did not easily come together in a normative manhood common to American men. Instead these films demonstrate the widely held perception of a crises of masculinity. ...
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Masculine Interests: Homoerotics in Hollywood Film
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Robert Lang
In the first close look at how Hollywood has reflected and helped shaped masculinity, Robert Lang considers how Hollywood articulates the eroticism that is intrinsic to identification between men. He considers masculinity in social and psychoanalytic terms, arguing that it is an ideological-generic construction and that a major function of the ...
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He's All Man: Learning Masculinity, Gayness, and Love from American Movies
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Prof. John M Clum
""He's All Man"" is John M. Clum's insightful, biting and characteristically humorous analysis of the central myths of American manhood that have been propagated by Hollywood films and dramatized by our major playwrights. In the politically incorrect way he dared to ask "What happened to gay irony?" in "Something for the Boys," Clum now dares to ...
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Westerns: Making the Man in Fiction and Film
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Professor Lee Clark Mitchell
Lee Clark Mitchell argues in this study that is not stereotypical props and images that give Westerns their perennial appeal, but the genre's deftness in addressing the fears and obsessions of its (eastern) audience. Over the years no obsession has figured more prominently, asserts Mitchell, than the question of what it means to be a man. Ranging ...
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Heroes, Antiheroes, and Dolts: Masculinity in American Popular Films, 1921-1999
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Ashton D Trice, Samuel A Holland
This book discusses 75 of the most popular films in America from 1921 to 1999, and the changes that have taken place in how masculinity is portrayed in the movies over that period.
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Screening the Male: Exploring Masculinities in the Hollywood Cinema
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Steven Cohan (Editor), Ina M Hark (Editor), Ina Mae Mark (Editor)
Screening the Male re-examines the problematic status of masulinity both in Hollywood cinema and feminist film theory. Classical Hollywood cinema has been theoretically established as a vast pleasure machine, manufacturing an idealized viewer through its phallocentric ideological apparatus. feminst criticism has shown how difficult it is for the ...
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The Remasculinization of Korean Cinema
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Kyung Hyun Kim
In one of the first English-language studies of Korean cinema to date, Kyung Hyun Kim shows how the New Korean Cinema of the past two decades has used the trope of masculinity to mirror the profound socio-political changes underway in Korea. Since 1980, the country has transformed from an insular, authoritarian culture into a democratic and ...
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Acting Male: Masculinities in the Films of James Stewart, Jack Nicholson, and Clint Eastwood
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Dennis Bingham
Drawing parallels between acting and star-making and such concepts of gender identity as masquerade and role playing, Dennis Bingham points out tensions between the mask of masculinity and the 'naturalness' designed to obscure it.
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City Boys: Cagney, Bogart, Garfield
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Professor Robert Sklar
Beginning with "The Public Enemy", produced by Warner Bros in 1931, James Cagney established a new cultural type on the American screen and in the world's imagination. That "type", later developed by Humphrey Bogart and John Garfield, was the urban tough guy - small, wiry, savvy and street-smart. Often presented as a gangster, newspaper reporter ...
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Unless the Threat of Death Is Behind Them: Hard-Boiled Fiction and Film Noir
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Professor John T Irwin
Early in the twentieth century a new character type emerged in the crime novels of American writers such as Dashiell Hammett and Raymond Chandler: the "hard-boiled" detective, most famously exemplified by Sam Spade in "The Maltese Falcon". Unlike the analytical detectives of nineteenth-century fiction, such as Edgar Allan Poe's detective Dupin, ...
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Spectacular bodies : gender, genre and the action cinema.
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Yvonne Margaret Tasker
While films such as Rambo, Thelma and Louise and Basic Instinct have operated as major points of cultural reference in recent years, popular action cinema remains neglected within contemporary film criticism. Spectacular Bodies unravels the complexities and pleasures of a genre often dismissed as obvious' in both its pleasure and its politics, ...
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Masculinities in Polish, Czech and Slovak Cinema: Black Peters and Men of Marble
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Ewa Mazierska
The object of this book is to discuss the main types of men populating Polish, Czech and Slovak films: that of soldier, father, heterosexual and homosexual lover, against a rich political, social and cultural background.
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Male Jealousy: Literature and Film
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Louis Lo
A well argued, comparative study of male jealousy in literature and film, informed by critical theory and engaging with key philosophical figures such as Derrida, Freud and Lacan."Male Jealousy: Literature and Film" is a critical and cultural theory-based study of male jealousy in western culture and its connections with paranoia. By tracing the ...
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Ladies and Gentlemen Boys and Girls: Gender in Film at the End of the Twentieth Century
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Murray Pomerance (Editor)
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Hard Bodies: Hollywood Masculinity in the Reagan Era
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Susan Jeffords
Hard Bodies looks at some of the most popular films of the Reagan era and examines how the characters, themes, and stories presented in them often helped to reinforce and disseminate the policies, programs, and beliefs of the 'Reagan Revolution.'
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Male Trouble
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Constance Penley
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Reflections in a Male Eye: John Huston and the American Experience
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Gaylyn Studlar (Editor), David Desser (Editor)
Bringing together recent essays, classic pieces by Andrew Sarris and James Agee, as well as two Huston short stories and an interview with the film maker, this book explores the ideology, social and political backdrop, and vision of the American male in such films as "The Treasure of the Sierra Madre" and "The Maltese Falcon."
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Black Manhood on the Silent Screen
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Gerald R Butters, Jr., Jr Gerald R Butters
In early-20th-century motion picture houses, offensive stereotypes of African Americans were as predictable as they were prevalent. However, few people realize that from 1915 to 1929 a number of African-American film directors worked diligently to counter such racist definitions of black manhood found in films like D.W. Griffith's "The Birth of a ...
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Ladies and Gentlemen Boys and Girl: Gender in Film at the End of the Twentieth Century
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Murray Pomerance (Editor)
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Big bad wolves : masculinity in the American film
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Joan Mellen
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You Tarzan : masculinity, movies and men
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by
Pat Kirkham, Janet Thumim
In "You Tarzan", the editors set out to broaden the enquiry into masculinity, taking popular cinema as their starting point. A number of male film scholars have been invited to turn the spotlight back on themselves; to name the "un-named" feelings raised by films, stars or genres as well as importing some of the insights of feminist writing on ...
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Tough Guy: The American Movie Macho
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James L Neibaur
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