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Stolen Words: The Classic Book on Plagiarism
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by
Thomas Mallon
"The definitive book on the subject" of plagiarism (The New York Times) is updated with a new afterword about the Internet. What is plagiarism, and why is it such a big deal? Since when is originality considered an indispensable attribute of authorship? Stolen Words is a deft and well-informed history of the sin every writer fears from every ...
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Formal Strain: Studies in Augustan Imitation and Satire
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by
Howard D. Weinbrot
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The counterfeiters; an historical comedy.
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by
Hugh Kenner
KENNER BRINGS TOGETHER HISTORY, LITERATURE, SCIENCE AND ART TO LOCATE THE PERSONAL IN AN INCREASINGLY COUNTERFEIT WORLD Wide-ranging enough to encompass Buster Keaton, Charles Babbage, horses, and a man riding a bicycle while wearing a gas mask, THE COUNTERFEITERS is one of Hugh Kenner's greatest achievements. In this fascinating work of literary ...
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Shakespeare and Appropriation
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Christy Desmet (Editor), Robert Sawyer (Editor)
The vitality of our culture is still often measured by the status Shakespeare has within it. Contemporary readers and writers continue to exploit Shakespeare's cultural afterlife in a vivid and creative way. This fascinating collection of original essays shows how writers' efforts to intimate, contradict, compete with, and reproduce Shakespeare ...
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Originality, Imitation, and Plagiarism: Teaching Writing in the Digital Age
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Caroline Eisner (Editor), Martha Vicinus (Editor)
Somewhat ironically, the Internet makes it both easier to copy and easier to detect copying. The essays in this volume explore the complex issues of originality, imitation, and plagiarism, especially as they concern students and scholars, while also addressing related issues, ranging from copyright conventions and the ownership of original work, ...
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English Versions of Roman Satire in the Earlier Eighteenth Century
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by
William Kupersmith
This book discusses Imitations of the ancient Roman verse satirists Horace, Juvenal, and Perseus published in Britain in the first half of the eighteenth century. It endeavors to put major writers such as Alexander Pope and Samuel Johnson in the context of lesser writers of the period. It also devotes attention to other canonical writers such as ...
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Stolen Words: Forays Into the Origins and Ravages of Plagiarism
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by
Thomas Mallon
This history of plagiarism begins its chronicle in the 17th century and reaches to the late 20th, documenting the motives behind many scandalous incidents through time. Mallon considers the impact and consequences of the crime.
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Author and His Doubles: Essays on Classical Arabic Culture
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by
Abdelfattah Kilito
A splendidly translated exploration of major themes in classical Arabic literature by the most inventive and provocative critic of Arabic literature in the Middle East today. In this exceptional volume, Abedlfattah Kilito argues that genre - not authorship - is at the heart of classic Arabic literature. Using simple yet lyrical language, he ...
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Stolen Language?: Plagiarism in Writing
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by
Shelley Angelil-Carter
'Stolen Language?' uncovers the reasons why students plagiarize, and explains what can be done about it. It challenges the concepts of original authorship and ownership of language and shows that plagiarism is a complex and contested subject.
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The Poetics of Imitation
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by
Patricia A Rosenmeyer
Western literature knows the anacreontic poems best in the translations or adaptations of such poets as Ronsard, Herrick and Goethe. This collection of poems, once assumed to be the work of Anacreon himself, was considered unworthy of serious attention after the poems were proved to be late Hellenistic and early Roman imitations by anonymous ...
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Lucilius and Horace: A Study in the Classical Theory of Imitation
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by
George Converse Fiske
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The Genius of Parody: Imitation and Originality in Seventeenth and Eighteenth-Century English Literature
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by
Robert Mack
The stigmatisation of parody as 'the worst enemy' of creativity has been pervasive in our literary culture. Although recent theoretical approaches have compelled critics to rethink many received notions regarding the significance of contemporary parodic activity, the perception remains that parody existed only on the disreputable margins of ...
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Ciceronian Controversies
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by
Joann Dellaneva (Editor), Brian Duvick (Translator)
The most important literary dispute of the Renaissance pitted those writers of Neo-Latin who favoured imitation of Cicero alone, as the single best exemplar of Latin prose, against those who preferred to follow an eclectic array of literary models. This Ciceronian controversy is the subject of the texts collected for the first time in this volume: ...
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Shakespeare's Imitations
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by
Mark Taylor
Looks at similarities in characters, speeches and incidental actions in four of Shakespeare's plays
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Something Like Horace: Studies in the Art and Allusion of Pope's Horatian Satires
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by
Margaret Whinney, John M. Aden, John Physick (Editor)
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Steal This Plot
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by
June Noble
This is a writer's guide to story structure and plagiarism.
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Imitation and Praise in the Poems of Ben Jonson
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by
Richard S. Peterson
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Originality and Intellectual Property in the French and English Enlightenment
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by
Reginald McGinnis (Editor)
Are legal concepts of intellectual property and copyright related to artistic notions of invention and originality? Do literary and legal scholars have anything to learn from each other, or should the legal debate be viewed as separate from questions of aesthetics? Bridging what are usually perceived as two distinct areas of inquiry, this ...
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The Whole Internal Universe Whole Internal Universe: Imitation and the New Defense of Poetry in British Criticismimitation and the New Defense of Poetry in British Criticism, 1660-1830, 1660-1830
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by
John L Mahoney
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The Poetics of Empire in the Indies: Prophecy and Imitation in La Araucana and OS Lusiadas
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by
James Nicolopulos
An investigation of literary representations of 16th-century Iberian colonialism and imperialism. It analyzes Alonso de Ercilla's "La Araucana", a narrative poem, and Luis de Camoens's "Os Lusiadas", an epic celebration of early Portuguese maritime expansion in the Indian Ocean.
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Palimpsests: Literature in the Second Degree
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by
Gerard Genette, Channa Newman (Translator), Claude Doubinsky (Translator)
By definition, a palimpsest is "a written document, usually on vellum or parchment, that has been written upon several times, often with remnants of erased writing still visible." Palimpsests (originally published in France in 1982), one of Gerard Genette's most important works, examines the manifold relationships a text may have with prior texts ...
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Reading Pope's Imitations of Horace
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by
Jacob Fuchs
This study reclaims Pope's meaning in each successive imitation by focusing on the differences between Horace's Latin poems and Pope's English versions. It considers not only Pope's expression of concerns about his own world but also the contemporary reputation of the Roman Augustan Age and of Augustus and Horace.
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Who the Devil Taught Thee So Much Italian?': Italian Language Learning and Literary Imitation in Early Modern England
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by
Jason Lawrence
Offers a comprehensive account of the methods and practice of learning modern languages (especially Italian) in late sixteenth and early seventeenth century England The first study to suggest a fundamental link between language-learning habits and the techniques for reading and imitating Italian materials employed by poets and dramatists such as ...
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Imitating Art: Essays in Biography
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by
David Ellis
What is it that links a "life" by Dr. Johnson with a heavyweight Victorian "Life and Letters", or with a standard literary biography of our own times? An analysis of "biography" reveals a variety of forms and practices. Despite the immense popularity of the biography, there has been comparatively little attention paid to its principles and ...
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Murder Done to Death: Parody and Pastiche in Detective Fiction
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by
John Kennedy Melling
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