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Fiction in the Archives: Pardon Tales and Their Tellers in Sixteenth-Century France
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Dr. Natalie Zemon Davis
This book is an account of life and death in early modern France. It is an analysis of the crime stories which men and women told their judges in order to try to save themselves from the gallows. To receive a royal pardon for murder in 16th century France, a supplicant had to tell the king a story. Thousands of such stories are found in the French ...
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Rhetoric of Empire-PB
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David Spurr
The white man's burden, darkest Africa, the seduction of the primitive: such phrases were widespread in the language Western empires used to talk about their colonial enterprises. How this language itself served imperial purposes--and how it survives today in writing about the Third World--are the subject of David Spurr's book, a revealing account ...
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Romancing the Past: The Rise of Vernacular Prose Historiography in Thirteenth-Century France
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Professor Gabrielle M Spiegel
In a poststructuralist study of 13th-century French historical texts, Gabrielle Spiegel investigates the reasons for the rise of French vernacular prose historiography at this particular time. She argues that the vernacular prose histories that have until now been regarded as royalist were actually products of the aristocracy, reflecting its ...
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Alcibiades at the Door: Gay Discourses in French Literature
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Lawrence R Schehr
Focusing on works by Rene Crevel, Jean-Paul Sartre, Roland Barthes, and Herve Guibert, this book studies how homosexuality functions at the limits of narrative, as part of the deep structure of narrative, and at the border between public and private discourse. It examines each writer in turn, reflecting on how their texts represent homosexuality, ...
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Literary Debate
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Denis Hollier (Editor), Ramona Naddaff (Editor), Professor Jeffrey Mehlman (Editor)
Key texts from the leading theorists in postwar French literary criticism.
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Testaments betrayed
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by
Milan Kundera
Written like a novel, this essay has nine sections, in each of which the same characters meet and cross each other's paths: Stravinsky and Kafka and their odd friends, Ansernet and Brod; Hemingway and his biographer; Janacek and his little nation; and Rabelais and his heirs, the great novelists.
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Post Scripts: The Writer's Workshop
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Vincent Kaufmann, Deborah Triesman (Translator), Deborah Treisman (Translator)
We assume that words are posted (mailed or, in another sense, positioned) to communicate with others, to bridge distance and "wish you were here". However, Vincent Kaufmann discovers in his chosen letter writers the urgency not to communicate, to keep their correspondents away, and, as it were, posted. The writer avoids real-life dialogue by way ...
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History's Double: Cultural Tourism in Twentieth-Century French Writing
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Andrea Loselle
In" History's Double," Andrea Loselle looks at the relation between tourism and French literature, drawing a distinction between the tourist industry and the "true" experience of travel. Examining the work of such notable writers as Blaise Cendrars, Paul Morand, and Louis-Ferdinand Celine, Loselle discusses the literary representation of tourism ...
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Travel in Twentieth-Century French and Francophone Cultures: The Persistence of Diversity
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by
Charles Forsdick
This book is one of the first studies of twentieth-century travel literature in French, tracking the form from the colonial past to the postcolonial present. Whereas most recent explorations of travel literature have addressed English-language material, Forsdick's study complements these by presenting a body of material that has previously ...
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Revolutions in Writing: Readings in Nineteenth-Century French Prose
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by
Rosemary Lloyd
This anthology offers translations of prose and prose poems that illustrate the great variety and richness of one of the most fruitful and exciting periods in French cultural history. "Revolutions in Writing" presents short stories by M rim e, Balzac, Nerval, Gautier, and Maupassant, polemical writings of Chateaubriand, Mme de Sta'l, and Michelet, ...
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Correspondence: Models of Letter-Writing from the Middle Ages to the Nineteenth Century
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by
Roger Chartier, Ecile C Dauphin, Christopher Woodall (Translator)
"Correspondence" explores the history of a fascinating cultural practice: the writing of letters. From the sixteenth to the eighteenth century, western societies served a long apprenticeship in the culture of the written word. Although mastery of reading and writing was far from evenly distributed, many tradesmen, shopkeepers, and artisans ...
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The Oxford book of French prose
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Janet E. Heseltine (Compiled by)
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Immigrant Narratives in Contemporary France
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by
Patrice J Proulx (Editor), Susan Ireland
Examines the literature of immigration by authors who moved to France from the Caribbean, the Maghreb, sub-Saharan Africa, and Asia after World War II. The first comprehensive survey of its kind in English, this book examines the experience of immigration as represented by authors who moved to France from the Caribbean, the Maghreb, sub-Saharan ...
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Between the Library and the Laboratory: The Language of Chemistry in Eighteenth-Century France
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Wilda C Anderson
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Touching the World: Reference in Autobiography
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by
Paul John Eakin
This monograph explores what the author considers to be the defining assumption of autobiography: that the story of the self does refer to a world of biographical and historical fact. He demonstrates that people write autobiography not in some private realm of the autonomous self but rather in strenuous engagement with the pressures that life in ...
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French Prose & Crit 1790-WWII(Oop)
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Professor Harold Bloom
"The Critical Cosmos", whith its 86 volumes, edited by Harold Bloom, embraces the ever-expanding world of modern criticism of Western literature, arranged by nations, time periods and international literary tendencies an movements, such as Romanticism and Modernism. The series includes essays by major critics on the crucial authors of Western ...
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The French New Autobiographies: Sarraute, Duras, and Robbe Grillet
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Raylene L Ramsay
This work explores the new autobiographical genre, the "auto-fictions", that emerged from France in the 1980s. It focuses on three figures of French avant-garde writing, whose autobiographies fall between fact and fiction, and examines the conventions of traditional autobiographies.
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Stylistic Developments in Literary and Non-Literary French Prose
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by
Anne Judge
This book examines chronologically the development of French prose style from the twelfth century to present day, seeking to demonstrate the vast range of stylistic choices available to the writer of French prose, and to give readers a deeper understanding of the texts. The book is divided into sections dealing with periods (not always centuries) ...
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The Traditions of French Prose Style: A Rhetorical Study
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John Porter Houston
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Prosateurs Francais Du Xvie Siecle
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Frank M Chambers
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Ravishment of Persephone: Epistolary Lyric in the Sihcle Des Lumihres
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by
Julia De Pree
This study delineates a theory of epistolary epic that refutes historical notions of a "siecle sans poesie". It argues that monophonic, epistolary texts written during the Ancien Regime both reflect and resist the classical legacy and at the same time anticipate the nineteenth-century prose poem.
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The Emergence of Prose: An Essay in Prosaics
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Wlad Godzich, Jeffrey Kittay
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French Prose & Crit Thru 1789(oop)
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by
Professor Harold Bloom
"The Critical Cosmos", with its 86 volumes, edited by Harold Bloom, embraces the ever-expanding world of modern criticism of Western literature, arranged by nations, time periods and international literary tendencies and movements, such as Romanticism and Modernism.
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The Modern Essay in French: Movement, Instability, Performance
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Charles Forsdick (Editor), Andrew Stafford (Editor), Peter Collier (Editor)
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Monsieur Teste
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by
Paul Valery
The famous opening line of Monsieur Teste -- "Stupidity is not my strong suit" -- is typical of Monsieur Teste, and of Valery as well. Although not autobiographical in any usual sense, the book is profoundly personal. Valery said he could not imagine the existence of the novel, vet he could not resist the character living in his mind. On the one ...
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