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The Study of Counterpoint
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by
Johann Joseph Fux, Professor Alfred Mann (Translator)
The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European ...
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Counterpoint
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by
Kent Kennan
Designed for courses in beginning and advanced counterpoint, this established text introduces the contrapuntal style of 17th and 18th century music through analysis and writing. While a limited understanding of contrapuntal elements may be gained through analysis alone, these elements are grasped in a more intimate way through the actual writing ...
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Counterpoint
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Walter Piston
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Counterpoint; Based on Eighteenth-Century Practice
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Kent Kennan
The author's analysis of contrapuntal music of the 17th and 18th centuries provides a basic foundation of this style. He emphasizes both the techniques and the forms involved.
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Counterpoint in Composition: The Study of Voice Leading
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by
Professor Felix Salzer, Carl Schachter
-- Stanley Persky, City University of New York
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Modal Counterpoint, Renaissance Style
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by
Peter Schubert
Modal Counterpoint, Renaissance Style introduces the rules for writing and analysing 16th-century music through a wide variety of carefully graded exercises. It begins with species counterpoint - the method used to teach voice-leading and the treatment of consonances and dissonances in contrapuntal composition - with exercises modelled on examples ...
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A Practical Approach to Sixteenth-Century Counterpoint
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by
Robert Gauldin
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Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century
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by
Knud Jeppesen, Geoffrey Haydon (Translator)
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Voice Leading for Guitar: Moving Through the Changes
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by
Thomas John, MD
Just knowing how to play a chord is never enough to make good music. Voice leading - moving individual chord voices smoothly from one chord to the next - is an essential skill for jazz guitarists. This book/CD pack by Berklee associate professor of guitar John Thomas shows you how to voice lead both chord tones and tensions, and will help you add ...
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The Craft of Tonal Counterpoint
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by
Thomas Benjamin, Tom Benjamin, Benjamin Thomas
The Craft of Tonal Counterpoint is an introduction and workbook for the analysis and composition of tonal counterpoint. Tonal counterpoint is the basis of all classical music composition; students of music theory and composition are all required to take a course on this topic. Using examples from the music of J.S.Bach - the master of this style - ...
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Counterpoint: Fundamentals of Music Making
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by
Markand Thakar
Counterpoint manuals have long been central to the music education of composers, historians, and theorists. In this book a conductor uses counterpoint exercises to aid musicians in becoming sensitive to the fundamental ingredients of good music making. The author takes the reader step by step through the composition and performance of the ...
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Craft of Modal Counterpoint: A Practical Approach
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by
Thomas Benjamin
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Exercises in elementary counterpoint
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by
Percy Goetschius
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Double Counterpoint and Canon
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by
Ebenezer Prout
The second edition of Prout's still indispensable work, profusely illustrated with musical examples woven directly into the text. The study of double counterpoint and of the various forms of imitation is an invaluable and indispensable introduction to the higher branches of composition. This title is cited and recommended by Books for College ...
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Counterpoint: The Polyphonic Vocal Styles of the Sixteenth Century
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by
Knud Jeppeson
First paperback edition of classic introductory text features history of contrapuntal theory, technical features, "species" exercises in 2-, 3- and 4-part counterpoint; canon, motet, Mass, more. Includes many musical examples.
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Contrapunctus Counterpoint
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by
Prosdocimo de Beldomandi, Prosdocimo De' Beldomandi, Jan Herlinger (Editor)
In the "Contrapunctus" (1412), Prosdocimo surveys the practice of counterpoint and musica ficta, codifying each in six rules. Unlike most of his contemporaries, who were satisfied merely to state their rules, Prosdocimo justified his, making the treatise a primer of the musical aesthetics of his time.
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A Practical Approach to Eighteenth-Century Counterpoint
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by
Robert Gauldin
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Counterpoint: Strict and Free
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by
Ebenezer Prout
Prout's still indispensable work is profusely illustrated with musical examples woven directly into the text. Strict Counterpoint is the preliminary technical work for actual musical composition. At the time of original publication, Ebenezer Prout was Professor of Harmony and Composition at the Royal Academy of Music.
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The Craft of Modal Counterpoint
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by
Thomas Benjamin
The Craft of Modal Counterpoint is the companion book to Benjamin's The Craft of Tonal Counterpoint, recently republished in a second edition by Routledge. Modal counterpoint is the style of composition that was employed until the "tonal" revolution pioneered by Bach; it is the basis for most Early Music. Benjamin, a composer and pedagogue, ...
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Examples of Gregorian Chant & Other Sacred Music of the 16th Century
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by
Samuel H Scott (Editor)
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Sixteenth-Century Polyphony: A Basis for the Study of Counterpoint
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by
Arthur Tillman Merritt
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Convertible Counterpoint
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by
Serge I. Taneiev, Sergeai Ivanovich Taneev, Serge Koussevitzki (Designed by)
Serge Ivanovitch Taneiev was a great teacher of composition in Russia, having taught the great Russian composers and influenced scores of other musicians. Names like Serge Rachmaninoff, Leonid Sabaneiev, Lazare Saminsky, Walter Piston, Philip Greely Clapp, Igor Stravinsky, Tchaikofsky, and Serge Koussevitzky, who wrote the Introduction to this ...
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Contrapuntal Technique in the Sixteenth Century
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by
Reginald O. Morris
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The Art of Counterpoint
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by
Gioseffo Zarlino, Guy A Marco (Translator), Professor Claude V Palisca (Translator)
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Modal and Tonal Counterpoint: From Josquin to Stravinsky
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Harold Owen
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