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1434: The Year a Magnificent Chinese Fleet Sailed to Italy and Ignited the Renaissance
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Gavin Menzies
The "New York Times"-bestselling author of "1421" offers a stunning reappraisal of history, presenting compelling new evidence about the European Renaissance, tracing its roots to the Chinese. 16-page color photo insert.
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Look What Came from China
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Miles Harvey
Intended as a reference source for school projects, this book which is part of a multicultural series explores the foods, words, inventions, tools, customs and religions of China. It also describes the sports, animals, dance and crafts that originated there.
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China to Chinatown: Chinese Food in the West
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J A G Roberts
"China to Chinatown" tells the story of one of the most notable examples of the globalization of food: the spread of Chinese recipes, ingredients and cooking styles to the Western world. Beginning with the accounts of Marco Polo and Franciscan friars who travelled to the East, J.A.G. Roberts describes how Westerners' first impressions of Chinese ...
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The Great Encounter of China and the West, 15001800
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David E Mungello, Ph.D.
In the twenty-first century, China has emerged as the leading challenger to U.S. global dominance. China is often seen as a sleeping giant, emerging out of poverty, backwardness, and totalitarianism and moving toward modernization. However, history shows that this vast country is not newly awakening, but rather returning to its previous state of ...
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Imaging the Chinese in Cuban Literature and Culture
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by
Ignacio Lopez-Calvo
More than 150 years ago, the first Chinese contract laborers ("coolies") arrived in Cuba to work the colonial plantations. Eventually, over 150,000 Chinese immigrated to the island, and their presence has had a profound effect on all aspects of Cuban cultural production, from food to books to painting.Ignacio Lopez-Calvo's interpretations often go ...
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The Meeting of Eastern and Western Art, Revised and Expanded Edition
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by
Michael Sullivan
In this text, the author leads the reader through four centuries of interaction between the artists of China and Japan and those of Western Europe. From Hokusai to van Gogh, the author shows how artistic interpretation has enriched our vision of artists and their aims both East and West.
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Chinoiserie
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by
Dawn Jacobson
It was in the seventeenth century that myths of exotic "Cathay" began to be replaced by more definite knowledge of things Chinese, through the activities of English and Dutch traders. It was in the eighteenth century, however, that the taste for designs and architecture based on ideas of Chinese design - "Chinoiserie" - became highly fashionable ...
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Marginal Sights: Staging the Chinese in America
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by
James S Moy
Since the beginning of the Western tradition in drama, dominant cultures have theatrically represented marginal or foreign racial groups as other - different from "normal" people, not completely human, uncivilized, quaint, exotic, comic. Playwrights and audiences alike have been fascinated with racial difference, and this fascination has depended ...
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Orientalism and Modernism-P
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Zhaoming Qian, Zhaoming Qian
Chinese culture held a well-known fascination for Modernist poets like Ezra Pound and William Carlos Williams. What is less known but is made fully clear by Zhaoming Qian is the degree to which oriental culture made these poets the Modernists they became. This ambitious and illuminating study shows that Orientalism, no less than French symbolism ...
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Chinoiserie: Chinese Influence on European Decorative Art, 17th and 18th Centuries
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Alfred Jarry, Madeleine Jarry
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Straits Chinese Furniture: A Collector's Guide
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by
Ho Wing Meng
Straits Chinese furniture is a fusion of Chinese Qing dynasty ornateness and early 19th-century English dignity and decorum. Isolated from Chinese trends as well as European fashions, it developed its own style and uses in the Straits Settlements of Singapore, Malacca and Penang. This book traces the origins and characteristics of Stratis Chinese ...
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The Great Encounter of China and the West, 1500d1800
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David E Mungello, Ph.D.
In the twenty-first century, China has emerged as the leading challenger to U.S. global dominance. China is often seen as a sleeping giant, emerging out of poverty, backwardness, and totalitarianism and moving toward modernization. However, history shows
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The Great Encounter of China and the West, 1500-1800
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David E Mungello, Ph.D.
For too long, the history of contact between China and the West has been portrayed as a one-sided encounter: Europeans were said to have discovered China, while Chinese responses to the West went largely unnoticed. In this book, D. E. Mungello dispels the myth that China was a silent partner in the dialogue between Eastern and Western ...
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The Modernist Response to Chinese Art: Pound, Moore, Stevens
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Zhaoming Qian
What role did Chinese art play in the poetic development of Ezra Pound, Marianne Moore and Wallace Stevens? How could they share Chinese artists' Dao, an aesthetic held to be beyond verbal representation? In this sequel to "Orientalism and Modernism", Zhaoming Qian investigates the ways in which these three modernist poets received Chinese ...
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The meeting of Eastern and Western art from the sixteenth century to the present day.
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Michael Sullivan
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Orientalism, Modernism, and the American Poem
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by
Robert Kern
This is a critical and historical interpretation of 'Oriental' influences on American modernist poetry. Kern equates Fenollosa and Pound's 'discovery' of Chinese writing with the American pursuit of a natural language for poetry, what Emerson had termed the 'language of nature'. This language of nature is here shown to be a mythic conception ...
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Painters as Envoys: Korean Inspiration in Eighteenth-Century Japanese Nanga
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by
Burglind Jungmann
It is well known that Japanese literati painting of the eighteenth century was inspired by Chinese styles that found their way to Japan through trade relations. However, because Japanese and American art historians have focused on Japanese-Chinese ties, the fact that Japan also maintained important diplomatic - and aesthetic - relations with Korea ...
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Chinoiserie: The Vision of Cathay
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Hugh Honour
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China and gardens of Europe of the eighteenth century.
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Osvald Sirén
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Chinoiserie: The Impact of Chinese Styles in Western Art & Decoration
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Oliver Impey
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Marianne Moore and China: Orientalism and a Writing of America
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Cynthia Stamy
Marianne Moore's poetry offers an extraordinarily rich site from which to analyse a tradition of American orientalism which focused upon China. Marianne Moore and China examines why she chose to participate in that tradition and analyses why her borrowing of Chinese models of all kinds - from poetry to painting and philosophy - was so critical to ...
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Paradise and Plumage: Chinese Connections in Tibetan Arhat Painting
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Robert N Linrothe
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Ideographia: The Chinese Cipher in Early Modern Europe
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David Porter, Mip
From the first successful Jesuit mission in 1583 until the disastrous failure of the British trade embassy in 1816, China's cultural practices transfixed the attention of Western philosophers, theologians, architects, artists, entrepreneurs and social critics. The direct influences on European culture were many and profound, ranging from Chinese ...
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Man's Fate(oop)
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Professor Harold Bloom
A collection of critical essays on Malraux's novel "Man's Fate" arranged in chronological order of publication.
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The Classical Gardens of China: History and Design Techniques
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Hung-Hsun Yang
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