About this title: In this book Martha Buskirk addresses the interesting fact that since the early 1960s, almost anything can and has been called art. Furthermore, works of art that lack traditional signs of authenticity or permanence have been embraced by institutions long devoted to the original and the permanent. Buskirk begins with questions of authorship raised by minimalists' use of industrial materials and methods, including competing claims of ownership and artistic authorship evident in conflicts over the right to fabricate artists' works. Examining recent examples of appropriation, she finds ...
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Note: This is a general synopsis. Each listing is described below.
Edition: First Edition
Binding: Softcover
Publisher: The MIT Press: Cambridge, MA, 2003
Date Published: 2005-04-01
ISBN-13:9780262524421ISBN:0262524422
Description: New, never been used. Size: Octavo (20-25 cm); Brand new. Tight binding. No spine creases. Clean copy, no interior marks. Light wear from shelf includes slight warping. Nearly Perfect Copy! Item ships within two business days. All DVDs sent via first class mail. read more
Binding: Softcover
Publisher: Mit Pr
Date Published: 2005-02-18
ISBN-13:9780262524421ISBN:0262524422
Description: NEW. Softcover. From an inventory that is 100% brand-new, 100% direct from the publishers' distribution channel. We carry NO pre-owned, NO remaindered. We pack in CARDBOARD to ensure the pristine quality is maintained. (Bubble-wrap alone is NOT sufficient to protect from USPS equipment. ) Guaranteed brand-NEW, protected with CARDBOARD, your satisfaction is guaranteed. BKLUVID: 9780262524421. read more
Binding: orig. cloth
Publisher: MIT Press, Cambridge [MA]
Date Published: 2003
Description: Minor rubbing. Small ink mark to top page-edge. VG. 24x15cm, 307 pp. "In this book Martha Buskirk addresses the interesting fact that since the early 1960s, almost anything can and has been called art. Furthermore, works of art that lack traditional signs of authenticity or permanence have been embraced by institutions long devoted to the original and the permanent. Buskirk begins with questions of authorship raised by minimalists' use of industrial materials and methods, including competing ... read more
Binding: cloth boards with dust jacket
Publisher: MIT Press, Cambridge, MA
Date Published: 2003
ISBN-13:9780262025393ISBN:0262025396
Description: Fine. As issued in Fine, as issued, dust-jacket. 23.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Critical theory by Martha Buskirk a Associate Professor of Art History and Criticism at Montserrat College of Art. "Buskirk explores how artists active in the 1980s and 1990s have recombined strategies of the art of the 1960s and 1970s. She also shows how the mechanisms through which art is presented shape not only readings of the work but ... read more
Binding: Paperback
Publisher: MIT PR
Date Published: 2005
ISBN-13:9780262524421ISBN:0262524422
Description: New. In this book, Martha Buskirk addresses the interesting fact that since the early 1960s, almost anything can and has been called art. Among other practices, contemporary artists have employed mass-produced elements, impermanent materials, and appropri... read more
Description: 2003. MIT. Hard Cover. Book-VG+. DJ-VG. 9x8. 307pp. Profuse b/w illus. This book addresses the interesting fact that since the early 1960s, almost anything can be and has been called art. Furthermore, works of art that lack traditional signs of authenticity or permanence have been embraced by institutions long devoted to the original and the permanent. read more
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