Michel de Certeau considers the uses to which social representation and modes of social behavior are put by individuals and groups, describing the tactics ...Show synopsisMichel de Certeau considers the uses to which social representation and modes of social behavior are put by individuals and groups, describing the tactics available to the common man for reclaiming his own autonomy from the all-pervasive forces of commerce, politics, and culture. In exploring the public meaning of ingeniously defended private meanings, de Certeau draws brilliantly on an immense theoretical literature in analytic philosophy, linguistics, sociology, semiology, and anthropology - to speak of an apposite use of imaginative literature.Hide synopsis
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Description:New. Michel de Certeau considers the uses to which social...New. Michel de Certeau considers the uses to which social representation and modes of social behavior are put by individuals and groups, describing the tactics available to the common man for reclaiming his own autonomy from the all-pervasive forces of co...
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Publisher: University Presses of California, Columbia and Pri
Description:New. Michel de Certeau considers the uses to which social...New. Michel de Certeau considers the uses to which social representation and modes of social behaviour are put by individuals and groups, describing the tactics available to the common man for reclaiming his own autonomy from the all-pervasive forces of co...
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Hard to understand at first, but as you keep reading it, it starts making sense. de Certeau looks at how ordinary people through their everyday practices and embodied experiences reclaim their autonomy, and resist power structures.
'Like the skill of a driver in the streets of Rome or Naples, there is a skill that has its connoisseurs and its esthetics exercised in any labyrinth of powers, a skill ceaselessly recreating opacities and ambiguities - spaces of darkness and trickery - in the universe of technocratic transparency, a skill that disappears into them and reappears again, taking no responsibility for the administration of a totality. Even the field of misfortune is refashioned by this combination of manipulation and enjoyment.' (18)
"Objects and words also have hollow places in which a past sleeps, as in the everyday acts of walking, eating, going to bed, in which ancient revolutions slumber" (108). "The revolutions of history, economic mutations, demographic mixtures lie in layers within it, and remain there, hidden in customs, rites, and spatial practices" (200).