Fair. We ship the same or next business day and provide a tracking number with tracking info. Slightly more wear than a good book but still a very usable copy, we use stock photos for our listing so actual book may have different cover.
Very Good. This book is in very good condition. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. Ships within 24 hours from US or UK warehouse but NO EXPEDITED ORDERS. See all our books here, order more than 1 book and get discounted shipping.
Good. Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, and may not include cd-rom or access codes. Customer service is our top priority!
Very Good + in None as issued jacket. Excellent, clean copy. Crisp, unmarked pages. Cover is glossy with very light wear to surface and corner tips, and a little at spine ends. Binding tight and square; no creases to spine or cover. Appears to have had very little use. Books, box sets, and items other than standard jewel case CDs and DVDs that sell for $7 or more ship bubble wrapped and boxed; under $7 in a bubble mailer. Expedited and international orders may ship in a flat rate envelope rather than a box due to cost constraints. All US-addressed items ship with complimentary delivery confirmation.
Very good. tight copy, clean on inside, slight shelf wear to cover. Soft-bound, glued binding, 96 pgs., illustrations. Audience: General/trade. Also available from this series: Andy Warhol; Georgia O'Keeffe; Salvador Dali; Rembrandt
Fine. 8vo-over 7¾"-9¾" tall. 96 pp., illus. (chiefly col. ), bib. notes; 23 cm. Firm binding, clean inside copy. "Edward Hopper (1882-1967) is considered the first important American painter in twentieth-century art. After decades of patient work, Hopper enjoyed a success and popularity that since the 1950s has continually grown. In canvas after canvas he painted the loneliness of big-city people. Many of Hopper's pictures represent views of streets and roads, rooftops, and abandoned houses, depicted in a brilliant light that strangely belies the melancholy mood of the scenes. Hopper's paintings are marked by striking juxtapositions of color, and by the clear contours with which the figures are demarcated from their surroundings. His extremely precise focus on the theme of modern men and women in the natural and man-made environment sometimes lends his pictures a mood of eerie disquiet. On the other hand, Hopper's renderings of rocky landscapes in warm brown hues, or his depictions of the seacoast, exude an unusual tranquillity that reveals another, more optimistic side of his character."-Publisher.
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