Good. Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, and may not include cd-rom or access codes. Customer service is our top priority!
Fair. Age/general wear, large crease in front cover, some stains on sides of book Open Books is a nonprofit social venture that operates two extraordinary bookstores, provides community programs, and mobilizes passionate volunteers to promote literacy in Chicago and beyond. IF YOU NEED A BOOK DELIVERED BY A SPECIFIC DATE, PLEASE CHOOSE EXPEDITED, EVEN IF YOU ARE LOCAL. Your tracking number will not show up until the USPS scans it. We ship bound printed matter, which is a bulk way of shipping which.
Very Good. 4to-over 9¾"-12" tall. 224 pp.,  pp. of plates, illus. (some col. ), bib. notes, index; 25 cm. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. CONTENTS: Dealing with Degas, by Richard Kendall; Degas/Images/Women: Women/Degas/Images: What Difference Does Feminism Make to Art History? , by Griselda Pollock; A House is not a Home: Degas and the Subversion of the Family, by Linda Nochlin; The Sexual Politics of Impressionist Illegibility, by Hollis Clayson; Degas' 'Tableaux de Genre, ' by John House; Looking, Power, and Sexuality: Degas' Woman with a Lorgnette, by Deborah Bershad; The Gaze and the Look: Women with Binoculars--A Question of Difference, by Griselda Pollock; Managing Degas, by Heather Dawkins; On Narrative and Metamorphosis, by Richard Thomson; Degas' Bathers: Hygiene and Dirt--Gaze and Touch, by Anthea Callen; Signs and Non-Signs: Degas' Changing Strategies of Representation, by Richard Kendall; Frogs, Monkeys and Women: A History of Identifications Across a Phantastic Body, by Heather Dawkins.
Alibris, the Alibris logo, and Alibris.com are registered trademarks of Alibris, Inc.
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited, Baker & Taylor, Inc., or by their respective licensors, or by the publishers, or by their respective licensors. For personal use only. All rights reserved. All rights in images of books or other publications are reserved by the original copyright holders.