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Description: Paperback, used book. Good+, a few pages are dog-eared. Art: Art... Paperback, used book. Good+, a few pages are dog-eared. Art: Art; Biography.

Description: Fair. Fair.

Description: New. 0375711503 This is a trade paperback. New. 0375711503 This is a trade paperback.

Description: New. 0375711503 *BRAND NEW* Ships Same Day or Next! Ships From... New. 0375711503 *BRAND NEW* Ships Same Day or Next! Ships From Springfield, VA USA!

Description: Fine. 0375711503 *LIKE NEW* Ships Same Day or Next! Ships From... Fine. 0375711503 *LIKE NEW* Ships Same Day or Next! Ships From Springfield, VA USA!

Description: Like New. Book appears unread, but may have a publisher's mark... Like New. Book appears unread, but may have a publisher's mark or minor shelf wear. We are the Twin Cities' largest independent book store.

Description: Very Good. 0375711503 In Very Good Used Condtion. USPS or Fedex... Very Good. 0375711503 In Very Good Used Condtion. USPS or Fedex Tracking # included with all orders. 100% Satisfaction Guarantee Coverage.

Description: BRAND NEW. 0375711503. BRAND NEW. 0375711503.

Description: New. In "The Cubist Rebel, 1907-1916, " the second volume of... New. In "The Cubist Rebel, 1907-1916, " the second volume of his "Life of Picasso, " John Richardson reveals the young Picasso in the Baudelairean role of "the painter of modern life"--a role that stipulated the brothel as the noblest subject for a modern a...

Description: Very Good in Paperback jacket. 8vo. pp. x [2] 500."In The Cubist... Very Good in Paperback jacket. 8vo. pp. x [2] 500."In The Cubist Rebel, 1907–1916, the second volume of his Life of Picasso, John Richardson reveals the young Picasso in the Baudelairean role of “the painter of modern life”—a role that stipulated the brothel as the noblest subject for a modern artist. Hence his great breakthrough painting, Les Demoiselles d'Avignon, with which this book opens. As well as portraying Picasso as a revolutionary, Richardson analyzes the more compassionate side of his genius. The misogynist of posthumous legend turns out to have been surprisingly vulnerable—more often sinned against than sinning. Heartbroken at the death of his mistress Eva, Picasso tried desperately to find a wife. Richardson recounts the untold story of how his two great loves of 1915–17 successively turned him down. These disappointments, as well as his horror at the outbreak of World War I and the wounds it inflicted on his closest friends, Braque and Apollinaire, shadowed his painting and drove him off to work for the Ballets Russes in Rome and Naples—back to the ancient world. "