A Streetcar Named Desire shows a turbulent confrontation between traditional values in the American South - an old-world graciousness and beauty running decoratively to seed - set against the rough-edged, aggressive materialism of the new world. Through the vividly characterised figures of Southern belle Blanche Dubois, seeking refuge from ...
A Streetcar Named Desire shows a turbulent confrontation between traditional values in the American South - an old-world graciousness and beauty running decoratively to seed - set against the rough-edged, aggressive materialism of the new world. Through the vividly characterised figures of Southern belle Blanche Dubois, seeking refuge from physical ugliness in decayed gentility, and her brutal brother-in-law Stanley Kowalski, Tennessee Williams dramatises his sense of the South's past as still active and often destructive in modern America. In addition to the full text of the play, this edition contains a chronology of the playwright's life and work; an introduction giving the background to the play, a discussion of the various interpretations; notes on individual owrds and phrases as well as photographs from stage productions.
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Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. B-format paperback. 320 p. Twentieth Century Classics S.. .
Fair. Covers and spine creased. Handwritten notes on the pages throughout. A book with obvious wear. May have some damage to the book cover, or the binding may be slightly damaged. Please also see our listing notes for further information Shipped from UK. Orders will be dispatched within 48 hours of receiving your order. Orders are dispatched Monday-Friday. FREE Returns service (for UK customers) for books upto 2kg please contact us for details.
Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration. B-format paperback. 320 p. Twentieth Century Classics S.. .
A play, especially one by Mr. Williams, is always fun to read and re-imagine. I've seen most of his big plays: "Streetcar"; "Glass Menagerie"; "Cat on a Hot Tine Roof"; "Night of the Iguana"; "The Rose Tattoo". As well as having seen: "Small Craft Warnings" and such. But "Streetcar" is so amazing for the forces of genteel courtesies vs. raw, sexual passions brought together and ultimately entangled in sometimes funny but terrible ways. And then there is the past: Blanche's past with hints of pedophilia, and her total ignorance of managing estate issues and Stanley's past with his ignorance, rage and yet, a sort of innocence that he then betrays by forcing himself upon Blanche. We, as the audience, laugh at and empathize with both of the principals and the agonies of their smaller, fellow cast members. Quite a thing to experience...
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