Hans Keller (1919-1985) was one of the most brilliant and stimulating writers on music of his day, and this is the first large selection of his essays. His work draws on his rich and diverse experience as a string-player, composer, teacher, analyst and critic, and also reflects a deep interest in psychoanalysis. The first part of the book ...
Between 1946 and 1959, the most outspoken voice in British film music was that of the celebrated Austrian emigre critic, Hans Keller (1919-85). He argued passionately for 'the need for competent film music criticism', laid out the main topics of the day, and studied the contribution of all the main British composers and many others besides. In ...
Ever since his early days, Hugh Wood has pursued a triple career as composer, teacher and writer: he has added to the repertory of orchestral, chamber and vocal music, he has lectured at the Universities of Glasgow, Liverpool and Cambridge, and he has been involved in an endless round of articles, reviews and broadcasts. What these activities have ...
Peter Pears once described Benjamin Britten as 'a Greek who worships all the gods'; and in order to come to terms with Britten's music it is necessary to recognize a language deeply embedded in this Western tradition. This book is devoted to "Night-piece" ("Notturno", written for the first Leeds International Pianoforte Competition of 1963). It ...
Our specialist times, with everyone confined to their own discipline, have left little room for the age-old view that, however transmuted, the issues of art and life belong together, or that, for all their differences, the arts have shared concerns: yet realism demands just such an outlook. This book offers an informal attempt to re-open closed ...
This work is published in association with the Cosman Keller Art and Music Trust. Over the last forty years Bayan Northcott has established himself as one of London's leading music critics, a figure much admired by Hans Keller (1919-85) whose ideas he frequently invokes. Moving easily between the classics and the moderns, and writing with ...
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