'Our present appreciation of Greek and Roman literature should be informed and influenced by consideration of what it was originally appreciated for. The past, for all its alienness, affects and changes the present.' The focus of this book - its new perspective - is on the 'receivers' of literature: readers, spectators, and audiences. Six ...
This book combines the exploration of the "ethics" of the Iliad with its poetic and narrative techniques, which extend all the way from touches of phrasing to the shaping of whole scenes often separated by thousands of lines. these two approaches to the Iliad - through "form" and through "content" - are found to be inextricably worked together, ...
The neo-Hellenic revival of the late 18th and early 19th century, introduced the features of Greek art to the West, but divorced them from their original context. This book explores the impact of ancient Greece on theatre, art and architecture, myth, science and philosophy, sex, politics and war. Along the way it ranges form Marx and Nietzsche, ...
This book opens up a neglected chapter in the reception of Athenian drama, especially comedy; and it gives stage-centre to a particularly attractive and entertaining series of vase-paintings, which have been generally regarded as marginal curiosities. These are the so-called 'phlyax vases', nearly all painted in the Greek cities of South Italy in ...
Colin Macleod died in December 1981 at the age of 38. Many regarded him as already one of the most profound interpreters in our times of Greek and Latin literature and ideas; and it was widely felt that his essays should be collected together in a single volume. There are twenty longer essays, including two previously unpublished, on Homer's ...
This book opens up a neglected chapter in the reception of Athenian drama, especially comedy; and it gives stage-centre to a particularly attractive and entertaining series of vase-paintings, which have been generally regarded as marginal curiosities. These are the so-called 'phlyax vases', nearly all painted in the Greek cities of South Italy in ...
The visual effect of the staging of Aeschylus' plays was an essential part of their impact. And yet all that survives today are the scripts. Imagination, helped by anachronistic sources, has played the chief role for those dealing with the dramaturgy of Aeschylus' works, and the result has usually been stages crowded with extras and equipment. In ...
Greek painted pottery from the fourth century B.C. is one of the largest and most remarkable bodies of theatrically informed material that still survives. "Pots and Plays" is a thorough and insightful re-evaluation of over 100 Greek vases - mostly from the Greek communities of southern Italy. It demonstrates that while most paintings are not ...
Aeschylus' Agamemnon, the first play in the Oresteia trilogy, is one of the most influential theatrical texts in the global canon. In performance, translation, adaptation, along with sung and danced interpretations, it has been familiar in the Greek world and the Roman empire, and from the Renaissance to the contemporary stage. It has been ...
Oliver Taplin's seminal study was revolutionary in drawing o Professor Taplin explores nine plays, including Aeschylus' agamemnon and Sophocles' Oedipus the King . The details of theatrical techniques and stage directions, used by playwrights to highlight key moments, are drawn out and related to the meaning of each play as a whole. With extensive ...
'Our present appreciation of Greek and Roman literature should be informed and influenced by consideration of what it was originally appreciated for. The past, for all its alienness, affects and changes the present.' The focus of this book - its new perspective - is on the 'receivers' of literature: readers, spectators, and audiences. Six ...
This text is intended for students and readers of classical and other literature. Topics include: Greek hexameter poetry; rhetoric; Greek literature under the Romans; Latin literature before 70 BC; poetry c.40 BC to the death of Tiberius; and Latin literature after c.150.
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