This book surveys the arts of Japan from the prehistoric period to the present, bringing together the results of the most recent research on the subject.
This work offers a detailed investigation into the authenticity of the numerous paintings attributed to the old master Wu Zhen (1280-1354). By studying the sequence of image changes in the series of repaintings over the centuries, the author concludes that only four paintings can be established as prime objects. The findings in this book aim to ...
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