In their ongoing search for divinity, Western European Christians followed many different paths to a personal connection with the eternal, including the intimacies of private prayer, the spectacle of the Mass, and the veneration of saintly relics. Along the way, art objects and artifacts served as companions, guides and comforts. The essays in ...
Whereas 12th-century pilgrims flocked to the church of St-Lazare in Autun to visit the relics of its patron saint, present-day pilgrims journey there to admire its superb sculpture, said to have been created by Gislebertus. These two cults, of sculptor and of saint, form the basis for this study. The text reveals how "Gislebertus, sculptor" was ...
Meyer Schapiro (1904-96), renowned for his critical essays on nineteenth- and twentieth-century painting, also played a decisive role as a young scholar in defining the style of art and architecture known as Romanesque. And, appropriately, when he was invited to deliver the prestigious Charles Eliot Norton Lectures at Harvard, he chose Romanesque ...
Jan Van Eyck's Arnolfini Portrait examines one of the most celebrated European paintings from a number of perspectives. In her lucid analysis of this seminal work, Linda Seidel considers this famous double portrait as a social record, legal document, material object and poetic fiction. Each chapter of this study is characterised by a distinct ...
"Looking to learn", an exhibition at the Smart Museum of Art at the University of Chicago, challenges the decontextualized approach to images and learning by setting ritual, functional and intentionally aesthetic objects side by side, together with inventories, technical viewing devices, photographs of ceremonial practices deploying the objects, ...
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