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Freedom Is, Freedom Ain't: Jazz and the Making of the Sixties
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by
Scott Saul
In the long decade between the mid-fifties and the late sixties, jazz was changing more than its sound. The age of Max Roach's "Freedom Now Suite", John Coltrane's " A Love Supreme" and Charles Mingus's "The Black Saint and the Sinner Lady" was a time when jazz became both newly militant and newly seductive, its example powerfully shaping the ...
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