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Titian, Tintoretto, Veronese
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Frederick Ilchman (Editor), Professor David Rosand (Text by), Linda Borean (Text by)
Edited by Frederick Ilchman. Text by David Rosand, Linda Borean, Patricia F. Brown, John Garton, et al.
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The Invention of Painting in America
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by
Professor David Rosand
Struggling to create an identity distinct from the European tradition but lacking an established system of support, early painting in America received little cultural acceptance in its own country or abroad. Yet despite the initial indifference with which it was first met, American art flourished against the odds and founded the aesthetic ...
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Myths of Venice: The Figuration of a State
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Professor David Rosand
David Rosand looks at Venice in terms of the myths associated with it, particularly as they were represented in painting, sculpture, and bronze relief throughout the city. The myths of Venice were drawn from classical literature and the Bible, a situation that made it possible for Venice to become associated both with both the Virgin Mary and the ...
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Here I Stand: Perspectives from Another Point of View
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Professor Norris Kelly Smith, Professor David Rosand (Foreword by)
This study of perspective in Western painting explores the manner in which pictorial space embodies both social and ethical meaning. The author argues that Renaissance painters developed perspective not only as a technical matter, but also to declare a stand in relation to church and state.
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Painting in Sixteenth-Century Venice: Titian, Veronese, Tintoretto
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Professor David Rosand
Painting in Sixteenth-Century Venice, here published in a revised and updated edition, explores the visual tradition of one of the most important centres of the Italian Renaissance through a study of three masters - Titian, Veronese, and Tintoretto. These painters dominated and shaped the traditions of Venetian painting in the High and Late ...
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Painting in Cinquecento Venice
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David Rosand
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Places of Delight: The Pastoral Landscape
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David Rosand, Robert Cafritz, J Carter Brown (Designer)
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Places of delight : the pastoral landscape
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Robert C. Cafritz, Sir Lawrence Gowing, David Rosand, Phillips Collection, National Gallery of Art
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Titian
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David Rosand
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Titien : l'art plus fort que la nature.
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David Rosand
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Titian, His World and His Legacy
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David Rosand (Editor)
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Robert Motherwell on Paper
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Professor David Rosand (Editor), Stephen Addiss, Ph.D., Arthur Coleman Danto
The Abstract Expressionist artist Robert Motherwell (1915-1991) was best known as a painter, but he also created a remarkable body of works on paper. The drawings, prints, and collages in this book show a more intimate side of his visual sensibility; they reveal the very personal "handwriting" of the artist as he responded to the subtleties of ...
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Castiglione: The Ideal and the Real in Renaissance Culture
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Robert W Hanning, Professor David Rosand (Photographer)
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Painting in Cinquecento Venice: Titian, Veronese, Tintoretto
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David Rosand
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The Meaning of the Mark: Leonardo and Titian
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David Rosand
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Titian and the Venetian woodcut : a loan exhibition
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David Rosand, Michelangelo Muraro, International Exhibitions Foundation, National Gallery of Art (U.S.), Dallas Museum of Fine Arts, Detroit Institute of Arts
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Tiziano e la silografia veneziana del Cinquecento
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Michelangelo Muraro, David Rosand, Titian, Fondazione "Giorgio Cini"
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La Trace De L'Artiste: Lčonard Et Titien
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David Rosand
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