THE ART OF THE PRE-RAPHAELITES provides a comprehensive collection of the art, and an illuminating commentary on the artists, including each individual artist's personal relationship to his work.
With his grand scale and richly colored canvases and studies, John William Waterhouse (18491917) wasone ofthe most influential painters of the nine-teenth century. In this brilliantly illustrated survey, edited by a leading Waterhouse scholar, the painters seductive vision of femininity is captured in sumptuous reproductions and illuminated by an ...
What do we mean when we call a work of art 'beautiful'? How have artists responded to changing notions of the beautiful? Which works of art have been called beautiful, and why? Fundamental and intriguing questions to artists and art lovers, but ones that are all too often ignored in discussions of art today. Prettejohn argues that we simply ...
A collection of writings reinterpreting the art of Frederic Leighton, challenging the view that limits him to the category of "Victorian artist". It extends the discussion beyond Leighton's life and addresses issues such as gender and sexuality, and the artist's identity and self-positioning.
This book is the first to explore the distinctive role of painting in the debates surrounding the notion of 'art for art's sake' and Aestheticism in Victorian England. In the London circles of Dante Gabriel Rossetti and Frederic Leighton, this artistic problem became a shared concern: if art is not created for the sake of preaching a moral lesson, ...
Dante Gabriel Rossetti's house in Chelsea was a bohemian enclave in Victorian London, the social centre for such rebels as the visionary painter Edward Burne-Jones, the socialist William Morris, the aesthete James McNeil Whistler and the poet Charles Swinburne. The rumours it aroused mixed fact and fiction to tell of love affairs between artists ...
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