BOOKS by Professor Christopher Prendergast
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Sodom and Gomorrah
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Marcel Proust, Professor Christopher Prendergast (Editor), John Sturrock (Translator)
In CITIES OF THE PLAIN (also known as SODOM AND GOMORRAH), Marcel continues his forays into the aristocratic society into which he has finally been admitted, finding satisfaction but a growing disillusionment as well, and is both fascinated and repelled by the world of the flamboyant homosexual Baron de Charlus, and reports on the intricate, ...
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Swann's Way: 5
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Marcel Proust, Lydia Davis (Translator), Professor Christopher Prendergast (Editor)
This self-contained opening volume of Proust's seven-volume masterpiece REMEMBRANCE OF THINGS PAST introduces the important themes of the novel: childhood, memory, love both idealized and unrequited, and the narrator's fascination with society and the aristocracy. The narrator's childhood memories include the famous madeleine scene, and the ...
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Nineteenth-Century French Poetry: Introductions to Close Reading
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Professor Christopher Prendergast
This volume of essays, written by scholars from a wide range of critical and theoretical viewpoints, presents a new approach to the study of nineteenth-century French poetry. Each of the eleven essays, on different poets from Lamartine to Mallarme and Laforgue, focuses on the detailed organisation of a single poem. The method of close reading has ...
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The Triangle of Representation
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Professor Christopher Prendergast
Moving deftly among literary and visual arts, as well as the modern critical canon, Christopher Prendergast's book explores the meaning and value of representation as both a philosophical challenge (What does it mean to create an image that "stands for" something absent?) and a political issue (Who has the right to represent whom?). "The Triangle ...
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Debating World Literature
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Professor Christopher Prendergast (Editor), Benedict Richard O'Gorman Anderson (Contributions by), Emily Apter (Contributions by)
In the continuing debates about the cultural dimensions of globalization the question of "literature" has been something of a poor relation. This volume seeks to redress the balance, with a starting point of Goethe's idea of Weltliteratur, from which it travels out to various parts of the globe at different historical junctures. The book's ...
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Cultural Materialism: On Raymond Williams
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Christopher Pendergast, Professor Christopher Prendergast (Editor)
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Cultural Materialism
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Professor Christopher Prendergast (Editor)
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Paris and the Nineteenth Century
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Professor Christopher Prendergast
Paris and the Nineteenth Century moves between social and cultural history, literature, painting and photography. At its heart lies a series of readings of major nineteenth century texts - by Balzac, Hugo, Baudelaire, Michelet, Flaubert, Zola, Valles, Laforgue and others. In each of these texts the city becomes a matter for and problem of ...
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The Classic: Sainte-Beuve and the Nineteenth-Century Culture Wars
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Professor Christopher Prendergast
Focusing on a moment and a source in nineteenth-century France, Christopher Prendergast takes up a big question that is still with us: What is a classic? The question is, by virtue of its insistent recurrence, itself a classic question. It returns to haunt us. It provided the title of a text for French critic Charles-Augustin Sainte-Beuve in 1850 ...
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The Harper Collins World Reader, Single Volume Edition
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Professor Mary Ann Caws (Editor), Professor Christopher Prendergast
This groundbreaking, world literature anthology offers students a truly global perspective on the whole world of literature: old and new, eastern and western (including works from often underrepresented areas like Asia, Africa, and Latin America), by women and by men, and traditional and not yet canonized works.
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The Order of Mimesis: Balzac, Stendhal, Nerval and Flaubert
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Professor Christopher Prendergast, Michael Sheringham (Editor)
This book is a challenging investigation of the idea of literary mimesis in the light of contemporary literary theory. Drawing on a range of theoretical perspectives developed in and around the work of Barthes, Kristeva, Genette, and Derrida, Dr Prendergast explores approaches to the concept of mimesis and relates these to a number of narrative ...
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Eugenie Grandet
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Sylvia Raphael (Translator), Professor Christopher Prendergast (Illustrator), Honore de Balzac
Oppressed by the exacting miserliness of her father, Eug 'enie Grandet erroneously see the arrival of her penniless Parisian cousin Charles as her means of escape. Balzac was obsessed with the fate of his heroine and this passionate intensity is evident throughout the novel, one of the earliest and greatest of his Com 'edie humain . Exploring ...
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Eugenie Grandet
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Sylvia Raphael (Translator), Professor Christopher Prendergast (Illustrator), Honore de Balzac
Eugénie Grandet, first the victim of her wealthy father's miserliness, then disappointed in her love for her faithless cousin Charles, ends up rich and lonely in the house where she grew up, with only a devoted servant for company. Despite its title, however, the novel is essentially a portrait of one of Balzac's favorite character types--the ...
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Napoleon and History Painting: Antoine-Jean Gros's La Bataille D'Eylau
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Professor Christopher Prendergast
This study is an inquiry into the fortunes, in both theory and practice, of the idea of history painting during the Napoleonic period. Its main argument is that under Napoleon, French history painting, especially battle painting, encountered a series of questions as to its nature and function. These questions arose in part from the (often ...
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