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Portrait in the Renaissance
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Sir John Wyndham Pope-Hennessy
This text shows how the Renaissance cult of individuality brought with it a demand that the features of the individual be perpetuated. The author describes the process by which Titian and other artists transformed the portrait from a record of appearance to an analysis of character.
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The Study and Criticism of Italian Sculpture
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John Pope-Hennessy
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The Piero Della Francesca Trail
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Sir John Wyndham Pope-Hennessy
After four centuries of almost complete neglect, Piero della Francesca is now one of the best known and best loved of all Renaissance painters - to such an extent that the route from one work to another has become the tourists' "Piero della Francesca Trail". Sir John Pope-Hennessy takes a fresh look at the facts of Piero's career and the ...
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Cellini
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John Pope Hennessy, Sir John Wyndham Pope-Hennessy, Takashi Okamura (Photographer)
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Introduction to Italian Sculpture - Volume 2
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Sir John Wyndham Pope-Hennessy
For the fourth edition of this introduction to Italian sculpture, the author has thoroughly revised the text, notes and bibliographies, incorporating all the significant new research and publications since the last major revision in 1970-2. Volume II, spanning the 15th century, is dominated by the revolutionary genius of Donatello, whose work is ...
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Introduction to Italian Sculpture - Volume 3
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Sir John Wyndham Pope-Hennessy
For the fourth edition of this introduction to Italian sculpture, the author has thoroughly revised the text, notes and bibliographies, incorporating all the significant new research and publications since the last major revision in 1970-2. Volume III, ranging from 1500 to the late-17th century, begins and ends with two outstanding personalities: ...
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Paradiso: The Illuminations to Dante's Divine Comedy by Giovanni Di Paolo
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Dante Alighieri, John Singleton (Translator), Sir John Wyndham Pope-Hennessy
Originally created for the Aragonese Library in Naples in about 1,445, the manuscript from which this book was photographed features 15th-century paintings from di Paolo that are notable for both the superb quality of their execution and for their vivid, almost modern imaginative power. 128 full-color plates.
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Italian Gothic Sculpture
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John Pope-Hennessy
For the fourth edition of this introduction to Italian sculpture, the author has thoroughly revised the text, notes and bibliographies, incorporating all the significant new research and publications since the last major revision in 1970-2. Volume I covers the period from about 1150 to 1400. The sculptors dealt with include Nicola and Giovanni ...
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Raphael
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Henness Pope, Sir John Wyndham Pope-Hennessy
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Paradiso: The Illuminations to Dante's Divine Comedy by Giovanni Di Paolo
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Sir John Wyndham Pope-Hennessy
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It Hi Rens & Barq Scul
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Sir John Wyndham Pope-Hennessy
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Paolo Uccello, complete edition
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Paolo Uccello, Sir John Wyndham Pope-Hennessy
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Italian Renais Sculptr
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Sir John Wyndham Pope-Hennessy
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Fra Angelica
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Sir John Wyndham Pope-Hennessy
Fra Angelico, known to his contemporaries as Fra Giovanni da Fiesole, was probably born at San Michele a Ripecanina, between 1395 and 1400. He is thought to have joined the community of San Domenico between 1418 and 1421. Fra Angelico examines the painter's life and early works, from 1418-32, to his panel paintings and frescoes, including the ...
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The Robert Lehman Collection
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Sir John Wyndham Pope-Hennessy, Hennessy John Pope, Metropolitan Museum of Art
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Raphael : the Wrightsman Lectures, delivered under the auspices of the New York University Institute of Fine Arts
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John Pope-Hennessy
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The Robert Lehman Collection at the Metropolitan Museum of Art, Volume I: Italian Painting
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Sir John Wyndham Pope-Hennessy, Hennessy John Pope, Metropolitan Museum Of Art
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The Frick Collection Vol. 3, Sculpture: Italian and Vol. 4, Sculpture: Netherlandish, German, ......
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Sir John Wyndham Pope-Hennessy, Frick, M Brunet (Editor)
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Donatello: Sculptor
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John Wyndham Pope-Hennessy
This authorative work captures the expressive force and spiritual depth of works by Donatello in 15th-century Italy. Born in 1386, Donatello came to be a towering figure of Italian renaissance art. His influence pervaded both sculpture and painting throughout the 15th-century and beyond. His statues embody the new image of man concieved by the ...
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Introduction to Italian Sculpture Boxset
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Sir John Wyndham Pope-Hennessy, John L Hennessy
For the fourth edition of this introduction to Italian sculpture, the author has thoroughly revised the text, notes and bibliographies, incorporating all the significant new research and publications since the last major revision in 1970-2. This boxed set contains all three volumes of John Pope-Hennessy's work on Italian sculpture. Vol I covers ...
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Learning to look
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John Pope-Hennessy
Describing how he educated himself and subsequently became the art-historian who changed our view of the Italian Renaissance, Sir John Pope Hennessy also takes this opportunity to deliver a broadside at present day British "philistinism" and Sir Roy Strong's tenure at the V & A.
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Sienese quattrocento painting
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Sir John Wyndham Pope-Hennessy
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Fra Angelico
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Sir John Pope-Hennessy
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Italian High Renaissance & Baroque Sculpture
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John Pope-Hennessy
For the fourth edition of this introduction to Italian sculpture, the author has thoroughly revised the text, notes and bibliographies, incorporating all the significant new research and publications since the last major revision in 1970-2. Volume III, ranging from 1500 to the late-17th century, begins and ends with two outstanding personalities: ...
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Italian Renaissance sculpture
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John Pope-Hennessy
For the fourth edition of this introduction to Italian sculpture, the author has thoroughly revised the text, notes and bibliographies, incorporating all the significant new research and publications since the last major revision in 1970-2. Volume II, spanning the 15th century, is dominated by the revolutionary genius of Donatello, whose work is ...
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