When Fernando Pessoa died in 1935 he left behind a trunk containing over 25,000 items a vast collection of poems, fragments, letters, journals. These pieces were ascribed to a variety of writers - the heteronyms or assumed identities Pessoa had created over the course of his extravagant written life. Attributed to the heteronym Bernado Soares, THE ...
A collection of literary manifestos, selected letters and journals, short fiction, and critical essays by the celebrated Portuguese poet and accountant.
The writing of Fernando Pessoa reveals a mind shaken by intense inner suffering. In these poems he adopted four separate personae: Alberto Caeiro, Alvaro de Campos, Ricardo Reis and himself, using them to express 'great swarms of thought and feeling'. While each personae has its own poetic identity, together they convey a sense of ambivalence and ...
This is the largest and richest volume of poetry by Pessoa available in English. It includes generous selections from the three poetic alter egos that the Portuguese writer dubbed "heteronyms" - Alberto Caeiro, Ricardo Reis and Alvaro de Campos - and from the vast and varied work he wrote under his own name.
Fernando Pessoa is Portugal's most important contemporary poet. He wrote under several identities, which he called heteronyms: Albet Caeiro, Alvaro de Campos, Ricardo Reis, and Bernardo Soares. He wrote fine poetry under his own name as well, and each of his "voices" is completely different in subject, temperament, and style. This volume brings ...
The "Book of Disquietude" is the "factless autobiography" of "Bernardo Soares, " one of the 72 literary personae with which Portugal's greatest poet Fernando Pessoa (1888-1935) created the theater of himself. Conceived in 1916, Soares is, Pessoa declared, "amutilation" of his own personality.
Pessoa (1888-1935), known as the premiere modernist of the Portuguese language, expressed himself in a multiplicity of personas, each with his own biography, philosophy, and literary style. Selected here, his oeuvre is a cacophony of these voices sounding off on a variety of topics including literary criticism and occultism.
A collection of poems by the celebrated Portuguese writer and bookkeeper. Virtually unknown during his own day, Pessoa (1888-1935) has gained a tremendous cult following both in Portugal and abroad some 60 years after his death.
Fernando Pessoa (1888-1935) is generally considered to be Portugal's greatest poet since Camoes, and a central figure of European Modernism. Deeply introspective, he sought objectivity by writing in various personae. This dual-language selection was the first in English to concentrate entirely on the haunting poems he wrote in his own name. These ...
The rediscovery in the 1990s of the Portuguese writer Fernando Pessoa (1888 -- 1935) is reminiscent of the rediscovery of Kafka in the 1950s. Like Kafka, Pessoa left his work in disarray, much of it to be published only posthumously. And Pessoa has become a literary icon of post-modernism, as Kafka was of modernism. Pessoa is best known for his ...
Message ("Mensagem") was the only book of verse in his own language that Pessoa saw through the press in his lifetime. On the face of it, a patriotic sequence steeped in 'Sebastianismo', the poems offer much more than this, the Kings and navigators of the Portugal's history standing as avatars of the poet's self, their explorations and heroic ...
La hora del Diablo es un relato fascinante de Fernando Pessoa. Un dialogo entre Satan y Maria, madre de Jesus, que revela al lector el singular pensamiento del poeta-filosofo, suerte de mistico que quiere creer, pero descree por principio. La conversacion -casi un monologo del Diablo- es n peregrinaje "del misterio y del conocimiento," en busca de ...
In 1925, Fernando Pessoa wrote a guidebook to Lisbon for English-speaking visitors, and wrote it in English. The typescript was only discovered amongst his papers long after his death, but has not hitherto been made available in the UK or the USA. The book is fascinating in that it shows us Pessoa's view of his native city - and Pessoa, as an ...
A collection of poems by the celebrated Portuguese writer and bookkeeper. Virtually unknown during his own day, Pessoa (1888-1935) has gained a tremendous cult following both in Portugal and abroad some 60 years after his death.
Pessoa (1888-1935), known as the premiere modernist of the Portuguese language, expressed himself in a multiplicity of personas, each with his own biography, philosophy, and literary style. Selected here, his oeuvre is a cacophony of these voices sounding off on a variety of topics including literary criticism and occultism.
This is the only integral collection of Pessoa's Caeiro heteronym in English, and the poems are accompanied by the introductions of Ricardo Reis and a memoir by Alvaro de Campos, two of Pessoa's other major poetic heteronyms, as well as a poem dedicated to Caeiro by Coelho Pacheco, believed by many commentators to be another one-off heteronym. ...
Pessoa wrote a large number of poems in English, some of them in the guise of early heteronyms (such as Alexander Search and Charles Robert Anon) which prove to be fascinating precursors of the later, modernist work in Portuguese. While not the equal of the masterly Caeiro, Campos, Reis or Pessoa-himself, these poems deserve to be better known and ...
First published in 1982, this is the "factless autobiography" of Bernardo Soares, one of the 72 literary personae or "heteronyms" with which Fernando Pessoa created the theatre of his absence. The circular text returns again and again to a protagonist desperate to find out who he is.
This collection of the work of Fernando Pessoa (1888-1935) answers that question. It is an essential introduction to the work of one of the most original European poets of the twentieth century. It includes translations of a broad selection of his poems and his extraordinary prose, and some of his original English writings. A major introductory ...
On a singular March day in 1914, "Fernando Pessoa felt his master appear inside him, "Alberto Caeiro, " the heteronym that stands over his epiphanic collection, composed that day "The Keeper of Sheep" -- the pivotal work in the career of Portugal's great modern poet. Of the poet's persona Octavio Paz declares, "his words strike us as truths from ...
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