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Studies in Nature
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Muneshige Narazaki
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Sharaku: The Enigmatic Ukiyo-E Master
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Muneshige Narazaki, Bonnie F Abiko (Translator)
Rembrandt, Velazquez, and Toshusai Sharaku have been called the greatest portrait artists of all time. Of the three, Sharaku's name is undoubtedly the least widely known. This comparative obscurity may be due to the fact that Sharaku was ignored in his own country and time, Japan of the eighteenth century, and remained in obscurity until his ...
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Ukiyo-E Masterpieces in European Collections V2 Um
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Muneshige Narazaki
The second in a 12-volume series of ukiyo-e treasures, including paintings and prints of collections in Europe. This volume presents works from the British Museum, including treasures by masters such as Harunobu, Koryusai, Shunsho and Kiyonaga, as well as Eishi and his school.
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Ukiyo-E Masterpieces in European Collections V4 Um
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Muneshige Narazaki
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Ukiyo-E Masterpieces in European Collections V5 Um
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Narazaki, Muneshige Nazaraki, Guiliano Frabetti
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Ukiyo-E Masterpieces in European Collections V6 Um
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Muneshige Narazaki
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Ukiyo-E Masterpieces in European Collections V3 Um
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Muneshige Narazaki (Editor)
The third in a 12-volume series of ukiyo-e treasures, including paintings and prints of collections in Europe. This volume presents works from the British Museum such as later Edo period prints, including Nagasaki-e, Yokohama-e and early Meigi prints by Yoshitoshi and Kiyochika.
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Japanese Print
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Muneshige Narazaki, C. H. Mitchell
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Hokusai, 'The thirty-six views of Mt Fuji
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Muneshige Narazaki
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The Japanese print : its evolution and essence
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Muneshige Narazaki
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Early paintings
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Muneshige Narazaki
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Utamaro : [monografie]
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Utamaro Kitagawa, Nina Stanculescu
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Utamaro
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Muneshige Narazaki, Sadao Kikuchi, Utamaro Kitagawa, John Bester
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Studies in nature : Hokusai, Hiroshige
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Muneshige Narazaki, John Bester, Hokusai, Hiroshige
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Hokusai; the thirty-six views of Mt. Fuji
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Hokusai Katsushika, Muneshige Narazaki
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Ukiyo-e masterpieces in European collections
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Muneshige Narazaki
Ukiyo-e, Japanese woodblock prints and paintings, have been highly revered in Europe since at least the mid-19th century. The older collections came to Europe via the Dutch trading base at Dejima, Nagasaki and the 1867 Paris exhibition created great interest in Japan. Ukiyo-e became appreciated for combining the skills of artist, engraver and ...
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