"Was this the face that launched a thousand ships?" Dr. Faustus famously asks of Helen of Troy when he conjures her at the suggestion of his students in this major work, written in 1588. A master scholar, Faust, dissatisfied by the limitations of book learning, seeks higher knowledge through black magic, which leads to a private audience with ...
"Was this the face that launched a thousand ships?" Dr. Faustus famously asks of Helen of Troy when he conjures her at the suggestion of his students in this major work, written in 1588. A master scholar, Faust, dissatisfied by the limitations of book learning, seeks higher knowledge through black magic, which leads to a private audience with ...
The introduction to this edition contains an analysis of the first quarto (including new evidence of its original dating) and a reconsideration of the play's complex relation to the Shakespearean histories that preceded and followed it. Charles R. Forker offers a discussion of Marlowe's use of sources, and presents a new argument for the drama's ...
Christopher Marlowe (1564-1593), a man of extreme passions and a playwright of immense talent, is the most important of Shakespeare's contempories. This edition offers his five major plays, which show the radicalism and vitality of his writing in the few years before his violent death. Tamburlaine Part One and Part Two deal with the rise to world ...
Marlowe's seven plays dramatise the fatal lure of potent forces, whether religious, occult or erotic. In the victories of Tamburlaine, Faustus' encounters with the demonic, the irreverence of Barabas in "The Jew of Malta", and the humiliation of Edward II in his fall from power and influence, Marlowe explores the shifting balance between power and ...
Marlowe's highly controversial Edward II concerns the conflicting claims of love and politics, the urgency of homoerotic desire, and the cruelty with which unscrupulous authority can exert control. The boldness with which the work confronts these issues makes it unique in the period, yet this is the first critical edition of the play with full ...
'A farce of terribly serious, even savage comic humour' T.S Eliot The Jew of Malta was arguably the most popular play of the Elizabethan era. There is no known source for Marlowe's play, but it makes copious allusions to the famous Turkish seize of Christian Malta in 1565 that forms the international setting for the main character, Barabas. ...
"Was this the face that launched a thousand ships?" Dr. Faustus famously asks of Helen of Troy when he conjures her at the suggestion of his students in this major work, written in 1588. A master scholar, Faust, dissatisfied by the limitations of book learning, seeks higher knowledge through black magic, which leads to a private audience with ...
When first presented before Elizabethan audiences, "Tamburlaine the Great" met with considerable popular approval but over the centuries since then it has seen few professional performances. This fully annotated version, with parts one and two in a single volume, takes account of the recent work on Marlowe. This text is related to contemporary ...
Christopher Marlowe was a 16th century English playwright. He was the leading Elizabethan tragedian before Shakespeare. His works are known for their overreaching protagonists and his use of blank verse. Little is known about Marlowe's life, but there is much speculation about his possibly being a spy, homosexual, a heretic, magician and atheist. ...
"Was this the face that launched a thousand ships?" Dr. Faustus famously asks of Helen of Troy when he conjures her at the suggestion of his students in this major work, written in 1588. A master scholar, Faust, dissatisfied by the limitations of book learning, seeks higher knowledge through black magic, which leads to a private audience with ...
This edition features a modernised text of Marlowe's play with annotation on the page, a comprehensive Introduction, and related texts, including selections from Machiavelli's "Prince", Gentillet's "Anti-Machiavel", and Bacon's "The Advancement of Learning".
The plays collected in this text provide the reader with a clear picture of Marlowe as a radical theatrical poet of great linguistic and dramatic daring, whose characters constantly strive to break out of the social, religious, and rhetorical binds within which they are confined.
Sensuous, passionate, disturbing, this is a collection of poems of love, violence and heroic deeds by arguably Shakspeare's greatest and most fascinating predecessor.
"Arguably the single-most important play of the Elizabethan era, Tamburlaine did more than any other to transform an insignificant form of public entertainment, barely distinguishable from the juggling, fencing, and animal-baiting with which it shared its performance space, into an art of national importance...Tamburlaine cranks the excitements of ...
"Was this the face that launched a thousand ships?" Dr. Faustus famously asks of Helen of Troy when he conjures her at the suggestion of his students in this major work, written in 1588. A master scholar, Faust, dissatisfied by the limitations of book learning, seeks higher knowledge through black magic, which leads to a private audience with ...
Based on the 1633 quarto, which is shown to be more authentic than most scholars had allowed. The text includes an account of the sources of the play, with discussion of Marlowe's knowledge of Mediterranean history, and consideration of Elizabethan Machiavellianism.
"Was this the face that launched a thousand ships?" Dr. Faustus famously asks of Helen of Troy when he conjures her at the suggestion of his students in this major work, written in 1588. A master scholar, Faust, dissatisfied by the limitations of book learning, seeks higher knowledge through black magic, which leads to a private audience with ...
Blasphemy, perversion, defiance and transgression...in a series of compelling tragedies, Marlowe challenged every authority of heaven and earth. From the proud wrath of Tamburlaine, the tyrant of Asia, to the racked anguish of Edward II, himself in thrall to unspeakable desires; from God's own Machiavel, the Duke of Guise, to Barabas, the Jew of ...
An authoritative text of Marlowe's classic play, with notes and a substantial introduction giving historical background, dramatic context, and performance history, including cinematic history. Interviews with Ralph Alan Cohen of Shenandoah Shakespeare and
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