An examination of the role anti-Semitism assumed in Wagner's aesthetics. Weiner considers the symbolism contained in Wagner's operas and shows how they reflect both the virulence of the great composer's hatred of the Jews and the emerging nationalism of the newly formed German state.
Ranging from 1900 to Doctor Faustus (1947), Weiner's study sets the stage by examining debates that conflated such issues as national identity, racism, populism, the role of the sexes, and xenophobia with musical texts. In the literary analyses that follow, Weiner discusses both obvious connections between music and sociopolitical issues-Hesse's ...
This is the first comprehensive description of an important topic, both in terms of technology and pure research, in a number of different disciplines. It is beginning to be offered as a graduate-level course and there are many researchers and engineers who use ultrafast laser systems in their daily work. Full of a balanced treatment of theory and ...
A basic tenet of literary studies is that aesthetic structures are politically significant because they represent an artist's response to the political implications of cultural codes with which the recipient of the modern work is also acquainted. This tenet provides the basis for the ideological associations attending the appearance of music in ...
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