Michael Lobel looks behind Roy Lichtenstein's respectable and uncompromising image to find a conflicted artist whose work walked a tense line between the claims of the body and the claims of the machine.
James Rosenquist's paintings, with their billboard-sized images of commercial subjects, are utterly emblematic of 1960s Pop Art. Their provocative imagery also touches on some of the major political and historical events of that turbulent decade - from the Kennedy assassination to the war in Vietnam. In the first full-length scholarly examination ...
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