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Greek Musical Writings: Volume 1, the Musician and His Art
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Andrew Barker (Editor), John Stevens (Editor), Peter Le Huray (Editor)
This book is the first of two volumes offering a selection of Greek writings on music, newly translated into English and equipped with an extensive commentary. This volume contains passages from Greek poets, historians and essayists, evoking or describing aspects of the practical activities of musical performance and composition, together with ...
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The Bailiwick of Guernsey.
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Cyril Peter Le Huray
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Music and the Reformation in England 1549-1660
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Peter Le Huray
In the years following the Act of Uniformity in 1549, musicians seemed to thrive on the challenge of the New Prayer Book, and the successive reigns of Elizabeth I, James I and Charles I bought a rich and varied repertory of vernacular church music. Peter Le Huray traces these developments in great detail, drawing on many contemporary sources to ...
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Greek Musical Writings: Volume 2, Harmonic and Acoustic Theory
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Andrew Barker (Editor), John Stevens (Editor), Peter Le Huray (Editor)
This second volume of Greek Musical Writings contains important texts on harmonic and acoustic theory, illustrating the progress of these sciences from their beginnings in the sixth century BC over the subsequent thousand years. Writers represented include Philolaus, Plato, Aristotle, Theophrastus, Aristoxenus, Ptolemy, Aristides, Archytas, and ...
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Music and the Reformation in England 15491660
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Peter Le Huray, Peter Le Huray
In the years following the Act of Uniformity in 1549, musicians seemed to thrive on the challenge of the New Prayer Book, and the successive reigns of Elizabeth I, James I and Charles I bought a rich and varied repertory of vernacular church music. Peter Le Huray traces these developments in great detail, drawing on many contemporary sources to ...
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Music Analysis in the Nineteenth Century: Volume 1, Fugue, Form and Style
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Ian Bent (Editor), John Stevens (Editor), Peter Le Huray (Editor)
This book demonstrates, in fascinating diversity, how musicians in the nineteenth century thought about and described music. The analysis of music took many forms (verbal, diagrammatic, tabular, notational, graphic), was pursued for many different purposes (educational, scholarly, theoretical, promotional) and embodied very different approaches. ...
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Music Analysis in the Nineteenth Century: Vol 2
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Ian Bent (Editor), John Stevens (Editor), Peter Le Huray (Editor)
In this second volume of nineteenth-century music analyses, Ian Bent provides a further selection of newly translated writings of nineteenth-century music critics and theorists, including composers such as Wagner, Schumann and Berlioz, and critics such as A. B. Marx and E. T. A. Hoffmann. Where Volume I, on Fugue, Form and Style, presented ...
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Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries
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Peter Le Huray, James Day, John Stevens (Editor)
This is an abridged, paperback edition of Peter le Huray and James Day's invaluable anthology of writings concerned with the role of music in eighteenth- and early-nineteenth-century aesthetics. This volume retains all the most important and significant items from the original hardcover edition. Over fifty writers are represented here, including ...
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Authenticity in Performance: Eighteenth-Century Case Studies
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Peter Le Huray, Peter Le Huray
In the last ten years or so an interest in 'authenticity' has reached a wide public. Many of the best-selling records of Bach, Handel, Haydn and Mozart are those in which period techniques and period instruments are used. There is however a danger that new 'authentic' dogmas of style and interpretation will come to replace the anachronistic dogmas ...
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Anthems for Men's Voices: Volume 1: Altos, Tenors and Basses
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Peter Le Huray (Editor), David Willcocks (Editor), Peter Tranchell (Editor)
The aim of this book is to present a selection of anthems for men's voices, for use in cathedrals, chapels, churches and schools. Volume 1 is for altos, tenors and basses.The selection is designed to enlarge the male voice repertoire as much as possible. It is therefore drawn wholly from these three categories: 1. Anthems hitherto existing only in ...
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Authenticity in Performance: Eighteenth-Century Case Studies
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Huray Peter Le, Peter Le Huray, Peter Le Huray
In the last ten years or so an interest in 'authenticity' has reached a wide public. Many of the best-selling records of Bach, Handel, Haydn and Mozart are those in which period techniques and period instruments are used. There is however a danger that new 'authentic' dogmas of style and interpretation will come to replace the anachronistic dogmas ...
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The Treasury of English Church Music 1545-1650
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Peter Le Huray, Peter Le Huray (Editor)
The period covered by this volume is one of the most eventful and fruitful in the history of English music. This selection - embracing the motet, festal psalm, anthem, canticle and devotional song - has been edited according to modern scholarly standards, but with the needs of practical performance in mind. The choice of music gives a ...
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This is the record of John : S.A.A.T.B.
by
Orlando Gibbons, Peter Le Huray
"This is the Record of John", is suitable for SAATB and organ or strings.
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O ye little flock
by
John Amner, Peter Le Huray
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