With "Plays Unpleasant", Shaw issued a radical challenge to his audiences' complacency and exposed social evils through his dramatization of the moral conflicts between youthful idealism and economic reality, promiscuity and marriage, and the duties of women to others and to themselves. His first play, "Widowers' Houses", depicts Harry Trench's ...
"Androcles and the Lion" is a 1912 play written by George Bernard Shaw. "Androcles and the Lion" is Shaw's retelling of the tale of Androcles, a slave who is saved by the requited mercy of a lion. In the play, Shaw makes Androcles out to be one of many Christians being led to the Colosseum for torture. Characters in the play exemplify several ...
One of Bernard Shaw's most glittering comedies, "Arms and the Man" is a burlesque of Victorian attitudes to heroism, war and empire. In the contrast between Bluntschli, the mercenary soldier, and the brave leader, Sergius, the true nature of valour is revealed. Shaw mocks deluded idealism in Candida, when a young poet becomes infatuated with the ...
In his introduction Dan H. Laurence notes that 'theatrics' connotes not only activities of a theatrical character but behaviour that manifests itself as theatricality. All the correspondence selected for this volume - most of it hitherto unpublished and none of it previously collected - relates to Bernard Shaw's theatre dealings and theatrical ...
While some of Shaw's earlier plays are still performed, his later plays, such as the ones in this volume, are barely known. As the collective title indicates, the themes here are political; yet, frankly, it is doubtful how seriously we can now take Shaw as a political thinker. Despite writing in the 1930s, he has little to say of the nature of ...
'A tearing, flaring, revivalist drama' was how Desmond MacCarthy described The Shewing-up of Blanco Posnet. Set in America's Wild West and aptly subtitled "A Sermon in Crude Melodrama", this single-act play concerns the conversion of a horse thief desperate to 'keep the devil' in him and die game. Published in 1909, it brought Shaw into conflict ...
This collection comprises the second of a three-part edition which brings together all of Shaw's 115 prefaces, several of which are previously unpublished. The range of subjects - poverty, imperialism and power, "Crosstianity", vivisection, responsibilities of the medical profession and marital relations - remain topical, and reveal Shaw's concern ...
Bernard Shaw, who made in reputation as a playwright in London, and Augusta Gregory, founder-director of the Abbey Theatre in Dublins, are generally considered as belonging to different theatrical traditions. But in 1909, when the Abbey produced The Shewing-up of Blanco Posnet, which had been banned in England, there began a close involvement of ...
Comprises the first of a three-part edition which brings together all of Shaw's 115 prefaces, several of which are previously unpublished. The subjects include poverty, imperialism and power, "Crosstianity", vivisection and marital relations.
This is the second of three volumes of musical criticisms by Bernard Shaw reflecting his great breadth of knowledge of the works of Wagner, Bach and Mozart to more contemporary British composers such as Walton, Tippett and Britten. Shaw's comments are notable for their insight, wit and lively intelligence. When Elgar appeard on the scene he said, ...
This is the first of three volumes of musical criticisms by Bernard Shaw reflecting his great breadth of knowledge of the works of Wagner, Bach and Mozart to more contemporary British composers such as Walton, Tippett and Britten. Shaw's comments are notable for their insight, wit and lively intelligence. When Elgar appeard on the scene he said, ...
This volume makes available bibliographic information on Shaw, his translations and major research resources. It includes a series of 11 investigatory reports on the history and holdings of major Shaw resources, and spanning four nations.
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