One of the best-known, best-loved poets of the English-speaking world, Larkin had a relatively small number of poems published during his lifetime. This "Collected Poems," which J. D. McClatchy called "a fascinating and indispensable text" in "The New York Times Book Review," brings together not only all of Larkin's published verse--"The North ...
These letters throw light on a more complex figure than most readers will probably be expecting. Whether addressing his literary friends, who included Barbara Pym, Kingsley Amis and John Betjeman, or those less prominently placed, Larkin shows himself to be a frank and generous letter-writer. Confessions, jokes, advice, scurrilities, ...
A collection of poems from a "tenderly observant" poet who writes about what all of us can understand. The title poem describes the poet's journey by train from Hull to London, using the tones and rhythms of ordinary speech and focusing on the urban landscape of the industrial north.
Philip Larkin's Oxford Book of Twentieth-Century English Verse provoked controversy and dispute on first publication in 1973. Warmly welcomed by fellow poets John Betjeman and W.H. Auden, it was also considered a quirky and idiosyncratic collection by some critics. Today it is recognized as a fine and wide-ranging selection of modern verse, ...
One of a series of titles first published by Faber between 1930 and 1990, and in a style and format planned with a view to the appearance of the volumes on the bookshelf. This was Larkin's first novel, the story of a working-class, provincial student at Oxford in World War II.
The book opens with works written under the pseudonym 'Brunette Coleman', including the two novellas, Trouble at Willow Gables and Michaelmas Term at St Bride's, and the poem sequence Sugar and Spice. The remainder of the volume is devoted to the unfinished drafts of two novels, No For An Answer and A New World Symphony, on which Larkin worked ...
Brings together Larkin's reviews, articles and essays written for The Guardian, The Observer, The New Statesman and numerous other publications. As well as being passionate and knowledgeable about jazz, the pieces are beautifully written.
Larkin's Required Writing, his selection from his miscellaneous prose 1953-82, was highly praised and enjoyed when it appeared in 1983. It was the last book to be published by him during his lifetime and won the W. H. Smith Award. It was also chosen by many critics and reviewers as one of their books of the year. Larkin died in December 1985. ...
This collection is a corrective to the impression that Larkin was a jazz reactionary, based on his polemical introduction to "All What Jazz", a collection of "Daily Telegraph" reviews. These reviews for other papers show he enjoyed later jazz and wrote incisively about it.
Published to accompany Damien Hirst's exhibition of butterfly paintings at Gagosian Gallery, Los Angeles in February 2007, "Superstition" is a visually stunning book that confirms Hirst's reputation as one of the most significant visual thinkers of his generation. Using 'High Windows', the last published volume of poems by Philip Larkin, as a ...
Further Requirements gathers together the many interviews, broadcasts, statements and reviews that were omitted from Required Writing. Taken altogether this collection fills in a consistent but sometimes unexpected portrait of Philip Larkin - mordant, intolerant, generous, but always himself. It will give great pleasure to all admirers of his work.
Philip Larkin's two published novels, "Jill" and "A Girl in Winter" tell only part of the story of his thwarted ambition as a novelist. Drawing on the papers deposited after his death in the Brynmore Jones Library, Hull, this volume collects together virtually all his remaining unpublished fiction.
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