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Art Since 1900: Modernism, Antimodernism, Postmodernism
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Hal Foster, Rosalind E Krauss, Yve-Alain Bois
In this groundbreaking and original work of scholarship, four of the most influential and provocative art historians of our time have come together to provide a comprehensive history of art in the 20th and 21s centuries, an age when artists have sought constantly to overturn the traditions of the past and expectations of the present in order to ...
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The Optical Unconscious
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Rosalind E Krauss
"The Optical Unconscious" is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. The account of modernism presented here challenges the vaunted principle of "vision itself". And it is a very different ...
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The Picasso Papers
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Rosalind E. Krauss
An innovative biography of the artist that considers his life and career in the context of modernism, while concentrating on his many changes in style.
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Passages in Modern Sculpture
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Rosalind E Krauss
Studies major works by important sculptors since Rodin in the light of different approaches to general sculptural issues to reveal the logical progressions from nineteenth-century figurative works to the conceptual work of the present.
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Originality of the Avant-Garde & Other
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Rosalind E Krauss
In this challenging collection of fifteen essays, most of which originally appeared in October, Rosalind Krauss explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde.
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Bachelors
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Rosalind E Krauss
These essays on nine women artists are framed by the question, born of feminism, "What evaluative criteria can be applied to women's art?". In the case of surrealism, in particular, some have claimed that surrealist women artists must either redraw the lines of their practice or participate in the movement's misogyny. Rosalind Krauss resists that ...
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L'Amour Fou: Photography and Surrealism
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Rosalind E Krauss, Jane Livingston, Dawn Ades (Photographer)
Much has been written about Surrealist painting and sculpture, but most of the erotic, disorienting and exquisite Surrealist photographs of Man Ray, Marcel Duchamp, Max Ernst, Andre Breton, Brassai, Salvador Dali, Andre Kertesz and Hans Bellmer have remained all but unknown - until now. Traditional criticism has viewed Surrealist photography as a ...
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The Neutral: Lecture Course at the College de France (1977-1978)
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Professor Roland Barthes, Rosalind E Krauss (Translator), Denis Hollier (Translator)
"I define the Neutral as that which outplays the paradigm, or rather I call Neutral everything that baffles paradigm." With these words, Roland Barthes describes a concept that profoundly shaped his work and was the subject of a landmark series of lectures delivered in 1978 at the College de France, just two years before his death. Not published ...
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A Voyage on the North Sea: Art in the Age of the Post-Medium Condition
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Rosalind Krauss
Based on the 1999 Walter Neurath Memorial Lecture, this book uses the work of the Belgian artist Marcel Broodthaers to argue that the specifity of mediums, even modernist ones, can never be simply collapsed into the physicality of their support.
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Alan Buchsbaum: Architect and Designer
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Frederic Schwartz, Rosalind E Krauss, Steven Tilly
Surprising juxtapositions between high elegance and downtown funkiness -- a choreography of bright colors and shapes, contrasting textures and patterns, theatrical lighting and quirky found objects -- make up the world of Alan Buchsbaum. An imaginative architect and designer, he was deemed one of the originators of the supergraphics look of the ...
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Terminal Iron Works: The Sculpture of David Smith
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Rosalind E Krauss
This book characterizes David Smith's work in a way that will make the reader see it on the grounds of its own intense originality.
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October: The First Decade
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Annette Michelson (Editor), Rosalind E Krauss (Editor), Douglas Crimp (Editor)
OCTOBER: The First Decade brings together a selection of some of the most important and representative texts, many from issues long out of print, that have appeared in one of the foremost journals in art criticism and theory.
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Agnes Martin
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Barbara Haskell, Rosalind E. Krauss (Designer), Anna Chave (Designer)
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The Neutral: Lecture Course at the College de France (1977-1978)
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by
Rosalind E Krauss (Translator), Denis Hollier (Translator), Thomas Clerc
"I define the Neutral as that which outplays the paradigm, or rather I call Neutral everything that baffles paradigm." With these words, Roland Barthes describes a concept that profoundly shaped his work and was the subject of a landmark series of lectures delivered in 1978 at the College de France, just two years before his death. Not published ...
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Beverly Pepper : sculpture in place
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Rosalind E. Krauss, Beverly Pepper, Albright-Knox Art Gallery
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Cindy Sherman 1979-93
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Rosalind E Krauss, Norman Bryson (Introduction by)
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Passages in Modern
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Rosalind E Krauss
Designed for the student, this critical survey of 20th-century sculpture focuses on a few themes and works in order to consider the medium as a whole. The seven chapters include "A Game Plan: The Terms of Surrealism," and "Mechanical Ballets: Light, Motion, Theater," along with discussions of such artists as Brancusi, Duchamp, Rodin, David Smith, ...
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In the Mind's Eye: Dada and Surrealism
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Dawn Ades, Rosalind Krauss, Mary J Jacob
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Sculpture in Place
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Rosalind E Krauss, Albright-Knox Art Gallery
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Robert Morris: The Mind-Body Problem
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Rosalind E Krauss, Maurice Berger, Annette Michelson
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Richard Serra: Sculpture
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Rosalind E Krauss
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Formless: A User's Guide
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Yve-Alain Bois, Rosalind E Krauss
Yve-Alain Bois and Rosalind Krauss introduce a new set of concepts to our understanding of avant-garde and modernist art practices. Although it has been over 60 years since Georges Bataille undertook his philosophical development of the term "informe", only in recent years has the idea of the "formless" been deployed in the theorizing and ...
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Los Papeles de Picasso
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Rosalind Krauss
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Rachel Whiteread : shedding life
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Rachel Whiteread, Rosalind E. Krauss
Rachel Whiteread's work is based on taking casts from the most commonplace objects. They evoke a combination of familiarity and strangeness, partly because they are not actually casts of the objects but of the spaces around or inside them. "House", a casting of the interior spaces of an entire building, stimulated debate among the art world and ...
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2wice
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Abbott Miller, Geoff Nicholson, Rosalind E Krauss
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