This book provides in-depth readings and analyses of many individual artists' books, and establishes a useful international overview. Topics discussed include: "Visual Deviants and Typographical Departures", "Various Ways of Frustrating Our Reading Habits", "Altering Books: The Cutting Edge of Editing", "The Book, the Museum, and Public Art", and ...
Published in 1922 and modeled on Fenelon's seventeenth-century epic of the same name, Aragon's work parodies its heroic models, didacticism, psychological stability, and descriptive and narrative balance.
Arguing against the notion that theatrical success depends upon a spectator's suspension of disbelief, this study emphasizes the audience's recognition of theatre as theatre, of rhetorical categories, and of the by-play between mimetic representation and explicit artistic conventions. It discusses the shifts between stage action and appeals to the ...
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