Taken from the photographs with which Fuss made his gallery debut, this book publishes for the first time a group of his romantic and hauntingly beautiful black-and-white photographs of classical statuary, with the almost infinite depth of field and dreamlike distortion of scale that result from using a pinhole camera.
A nineteenth-century child's dress is carefully laid out for our viewing. Perhaps, because we are aware that it is a part of lost time, our thoughts go to its missing inhabitant -- an ethereal presence, intricate to the weave of the fabric before us. And then there are the birds, scattering in a grey photographic dusk, soundless. Now, the mirrored ...
Adam Fuss has emerged as one of the bold and truly creative artists utilizing photography today. Fuss's photograms clearly break from those of his predecessors, Man Ray, Moholy Nagy, and Talbot, and while striking a chord of homage, the images redefine how and what we see in pictures, viscerally and intellectually....ADAM FUSS, the first major ...
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