German cinema is best known for its so-called "Golden Age" - the Expressionist films of the 1920s - and for its long line of outstanding individual directors, from Fritz Lang and Ernst Lubitsch, F. W. Murnau and G. W. Pabst, to Werner Herzog and Wim Wenders, R. W. Fassbinder and Alexander Kluge. But the double spotlight on art cinema and auteurs, ...
German cinema of the 1920s is still regarded as one of the 'golden ages' of world cinema. Films such as The Cabinet of Dr Caligari, Dr Mabuse the Gambler, Nosferatu, Metropolis, Pandora's Box and The Blue Angel have long been canonised as classics, but they are also among the key films defining an image of Germany as a nation uneasy with itself. ...
In the twenty years preceding the First World War, cinema rapidly developed from a fairground curiosity into a major industry and social institution, a source of information and entertainment for millions of people. Only recently have film scholars and historians begun to study these early years of cinema in their own right and not simply as first ...
The simultaneous international success in the 1970s of such filmmakers as Rainer Werner Fassbinder, Werner Herzog and Wim Wenders led critics to talk of a 'New German Cinema'. Thomas Elsaesser's book is the most comprehensive and illuminating study yet produced about this major movement in world cinema.
What are the most appropriate theories and methods for analysing contemporary American cinema? In this book Thomas Elsaesser and Warren Buckland answer this question by taking an innovative approach to writing about individual movies: in each of the main chapters they examine the assumptions behind one traditional theory of film, distil a method ...
This work contains over 200 entries on film, actors, directors, producers, cinematographers, critics, film industry, film movements and festivals covering German-speaking cinema from the 1890s to the popular comedies of the 1990s. Articles consider emigre directors, film politics and Nazi cinema.
Filmmaker, film essayist, installation artist, writer: the Berlin artist Harun Farocki has devoted his life to the power of images. Over the thirty-plus years of his career, Farocki has explored not the images of life but rather the life of images that surrounds us in newspapers, cinema, books, television, and advertising. Harun Farocki examines, ...
"The French Connection, The Last Picture Show, M.A.S.H., Harold and Maude"--these are only a few of the iconic films made in the United States during the 1970s. Originally considered a "lost generation," the 1970s are increasingly recognized as a crucial turning point in American filmmaking, and many films from the era have resurfaced from ...
This volume explores the cultural phenomenon of "Metropolis", its different versions, its changing meanings, and its role as a storehouse of databse of the 20th century.
This collection of essays, by well known writers on the subject of writing for television, is divided into three sections, with the first one devoted to the debates on quality television. The second one focuses on literature and television. The final section examines 'Science on television', with series editors from Britain and Germany giving ...
A study of the career of filmwriter and television producer Chiem Van Houweninge, known for his TV comedy series and as author of episodes for TV detective series. This book gives Van Houweninge's views on writing and filming in television with other views on his work given by critics and scholars.
Rainer Werner Fassbinder is one of the most prominent and important authors of post-war European cinema. Thomas Elsaesser is the first to write a thoroughly analytical study of his work. He stresses the importance of a closer understanding of Fassbinder's career through a re-reading of his films as textual entities. Approaching the work from ...
Hydrogen bonds represent type of molecular interaction that determines the structure and function of a large variety of molecular systems. The elementary dynamics of hydrogen bonds and related proton transfer reactions, both occurring in the ultra fast time domain between 10-14 and 10-11s, form a research topic of high current interest. In this ...
An A-Z reference book including: - introductory essays on German film - biographies of key film-makers, actors, actresses and other industry figures - significant films - detailed filmographies - schools of thought and movements - institutions, technical innovations, publications, awards, archives and critics - the relationships between German ...
In the late 1960s, the cinema was pronounced dead. Television, like a Biblical Cain had slain his brother Abel, bewitching the mass audience and provoking an exodus - from the cinemas to the living room. Some 30 years later, a remarkable reversal: rarely has the cinema been more popular, as inner-city multiplexes record rising attendances. And yet ...
Has European cinema, in the age of globalisation, lost contact not only with the world at large, but with its own audiences? Between the thriving festival circuit and the obligatory late-night television slot, is there still a public or a public sphere for European films? Can the cinema be the appropriate medium for a multicultural Europe and its ...
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