BOOKS by Professor Tim Carter
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W.A. Mozart, Le Nozze Di Figaro
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Professor Tim Carter (Preface by)
Le nozze di Figaro (1786) was Mozart's first mature opera buffa. It was also the first of his three major collaborations with the librettist Lorenzo da Ponte. Unlike Don Giovanni (1787) and Cosi fan tutte (1790), Figaro has few obvious problems, and even if it is not without flaws, it nevertheless contains a remarkable mixture of all those ...
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Oklahoma!: The Making of an American Musical
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Professor Tim Carter
"Oklahoma!" premiered on Broadway in 1943 under the auspices of the Theatre Guild, and today it is performed more frequently than any other Rodgers and Hammerstein musical. In this book, Tim Carter offers the first fully documented history of the making of this celebrated American musical. Drawing on research from rare theatre archives, ...
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Origins of Occupational Health Associations in the World
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Antonio Grieco (Editor), Daniela Fano (Editor), Professor Tim Carter (Editor)
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Opera, Liberalism, and Antisemitism in Nineteenth-Century France: The Politics of Halevy's La Juive
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Diana R Hallman, Arthur Groos (Editor), Professor Tim Carter (Editor)
This comprehensive critical study of the nineteenth-century French grand opera La Juive (Paris Opera, 1835) is a powerful and successful work by the leading dramatist and librettist Eugene Scribe, and Conservatoire-trained composer, Fromental Halevy. Hallman explores the politically charged messages of the opera within the context of French social ...
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Opera and Drama in Eighteenth-Century London: The King's Theatre, Garrick and the Business of Performance
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Ian Woodfield, Arthur Groos (Editor), Professor Tim Carter (Editor)
In this study, Ian Woodfield explores the cultural and commercial life of Italian opera in late eighteenth-century London. It was a period when theatre and opera worlds mixed, venues were shared, and agents and managers collaborated and competed. Through primary sources, many analysed for the first time, Woodfield examines such issues as finances, ...
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Johann Strauss and Vienna: Operetta and the Politics of Popular Culture
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Camille Crittenden, Arthur Groos (Editor), Professor Tim Carter (Editor)
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Monteverdi's Musical Theatre
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Professor Tim Carter
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Three Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in Cos?? Fan Tutte
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Edmund J Goehring, Arthur Groos (Editor), Professor Tim Carter (Editor)
This is a full-length, scholarly study of what is widely regarded as Mozart's most enigmatic opera and Lorenzo Da Ponte's most erudite text. Against the long-standing judgement that the opera uses a misguided confidence in reason to traduce feeling, Goehring's study shows how Cosi affirms comedy's regenerative powers and its capacity to grant ...
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German Opera: From the Beginnings to Wagner
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John Warrack, Arthur Groos (Editor), Professor Tim Carter (Editor)
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The Cambridge History of Seventeenth-Century Music
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Professor Tim Carter (Editor), Dr. John Butt (Editor)
The Cambridge History of Seventeenth-Century Music seeks to provide the most up-to-date knowledge on seventeenth-century music together with a vital questioning of the way in which such a history can be told or put together for our present purposes. Written by a distringuished team of experts in the field, the chapters not only address traditional ...
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Con Che Soavita: Studies in Italian Opera, Song, and Dance, 1580-1740
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Carter Fenlon, Iain Fenlon (Editor), Professor Tim Carter (Editor)
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Fitness to Drive: A Guide for Health Professionals
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Professor Tim Carter
Aimed at health professionals who need to advise patients on this topic, this book covers various aspects of the subject, including health and the driving task, driving and the clinical consultation, and the rationale for medical standards. There is also a reference section on medical conditions and fitness to drive.
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Aesthet Opera ANC Regime 1647-1785
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Downing A Thomas, Arthur Groos (Editor), Professor Tim Carter (Editor)
This is the first study to recognise the broad impact of opera in early-modern French culture. Downing A. Thomas considers the use of operatic spectacle and music by Louis XIV as a vehicle for absolutism; the resistance of music to the aesthetic and political agendas of the time; and the long-term development of opera in eighteenth-century ...
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Landscape and Gender Italian Opera
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Emanuele Senici, Arthur Groos (Editor), Professor Tim Carter (Editor)
In this unusual study, Emanuele Senici explores the connection between landscape and gender in Italian opera through the emblematic figure of the Alpine virgin. In the nineteenth century, operas portraying an emphatically virginal heroine, a woman defined by her virginity, were often set in the mountains, most frequently the Alps. The clarity of ...
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German Opera
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John Warrack, Arthur Groos (Editor), Professor Tim Carter (Editor)
German opera from its primitive origins up to Wagner is the subject of this wide-ranging history. It traces the growth of the humble Singspiel into a vehicle for the genius of Mozart and Beethoven, together with the persistent attempts at German Grand Opera. Seventeenth-century Hamburg opera, the role of the travelling companies and Viennese ...
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