In this book Martha Buskirk addresses the interesting fact that since the early 1960s, almost anything can and has been called art. Furthermore, works of art that lack traditional signs of authenticity or permanence have been embraced by institutions long devoted to the original and the permanent. Buskirk begins with questions of authorship raised ...
This expanded edition of the Fall 1994 special issue of "October" includes new essays by Sarat Maharaj and by Molly Nesbit and Naomi Sawelson-Gorse. It also includes the transcript of an exchange between T.J. Clark and Benjamin Buchloh which presents new responses to the problems raised by this popular (and now out of print) issue of the journal. ...
These documents from the public hearing and the court proceedings are an essential primary source for scholars of art and law, providing a complete and moving record of censorship in the arts.
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