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William Blake: The Complete Illuminated Books
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William Blake, Professor David Bindman (Introduction by), John Commander (Foreword by)
The nature of William Blake's genius is most completely expressed in his Illuminated Books. As poet/artist Blake invented a method of printing that enabled him to create works in which words and images combine to form pages uniquely rich in content and beautiful in form. It is only through the pages as originally conceived and published by the ...
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The Thames and Hudson Encyclopedia of British Art
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Professor David Bindman (Editor)
Surveys the history of British art and discusses important artists, movements, and periods.
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Hogarth
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Professor David Bindman
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Ape to Apollo: Aesthetics and the Idea of Race in the 18th Century
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Professor David Bindman
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The Illustrations for Dante's Divine Comedy
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John Flaxman (Illustrator), Professor David Bindman (Translator), Carlo Ossola (Translator)
Dante's Divine Comedy, one of the masterworks of European literature, has inspired artists from Botticelli to William Blake, and from Gustave Dori to Robert Rauschenberg and Tom Phillips. The great English Neoclassical sculptor John Flaxman (17551826) is no exception. Flaxman's drawings for the "Divine Comedy" are published for the first time in ...
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Thomas Hope: Regency Designer
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Daniella Ben-Arie, Professor David Bindman, Jeannie Chapel
The son of one of the wealthiest merchant bankers in Europe, Thomas Hope (1769-1831) was a major catalyst in the arts of Regency England. At the age of 18, he embarked on a Grand Tour to the Continent that lasted nearly ten years. While travelling, he started to assemble a remarkable art collection that accompanied him to London when he and his ...
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William Blake and Slavery: Mind-Forg'd Manacles
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William Blake (Illustrator), Professor David Bindman (Text by), Darryl Pinckney (Text by)
For William Blake (1757-1827), the idea of slavery was fundamental to his art and writing. He was fervently opposed to slavery and bitterly contemptuous of the forces in Britain that tried to prolong it. But for Blake slavery was also a mental state. To have limited perceptions, to pursue materialistic ends, to set oneself above others, to follow ...
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The English Journey: Journal of a Visit to France and Britain in 1826
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Karl Friedrich Schinkel, Gottfried Riemann (Editor), David Bindman (Editor)
In 1826 the great German architect, Schinkel, paid a visit to France and Britain and this is the complete translation into English of the journal that he kept on his travels. It also includes reproductions of all of the drawings that he made of buildings, machinery or workshops that he thought to be of interest. The visit to Britain was of the ...
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The History of British Art
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Professor David Bindman (Editor)
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Hogarth and His Times
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Professor David Bindman
The author works backward from William Hogarth's reputation today - where he is seen by some as a conservative populist and by others as a political radical - and examines his impact on various artists over three centuries. The author also sets Hogarth's work in its historical context.
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Blake as an artist
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David Bindman
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Samuel Palmer: 1805-1881, Vision and Landscape
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by
William Vaughan (Editor), Professor David Bindman (Editor), Elizabeth E Barker (Editor)
Samuel Palmer (1805-1881) ranks among the most important British landscape painters of the Romantic era. He is an artist who gave us a new way of seeing, painting familiar landscape scenes in a way that had never been done before. Subsequently his rich forms and vivid colours have inspired many other artists. This book, which accompanies the first ...
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The Thames and Hudson Encyclopaedia of British Art
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David Bindman (Editor), Nigel J. Morgan (Photographer)
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Roubiliac and the Eighteenth-Century Monument: Sculpture as Theatre
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David Bindman, Malcolm Baker
This is a study of the 18th-century sculptor Louis Francois Roubiliac. His most important work takes the form of monuments seen in Westminster Abbey and in churches throughout the country. The book examines his style in the light of the social and religious conditions of his time.
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William Blake--his art and times
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Professor David Bindman
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The History of British Art, Volume 2: 1600-1870
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by
Professor David Bindman (Editor)
An array of international experts tells the story of art in Britain from the post-Reformation period through to the birth of the modern era. The momentous changes that shook Britain--from the Civil Wars to the emergence of the British Empire--all had effects on its art and culture. With clarity and incisive scholarship, this volume offers a new ...
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The History of British Art, Volume 1: 600-1600
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by
Tim Ayers (Editor), Professor David Bindman (Editor)
Drawing upon the latest discoveries and research, leading scholars unravel the complex stories behind the phenomenal artistic activity of the Middle Ages and into the Reformation across all media, including painting, sculpture, architecture, book illumination, frescoes, embroidery, printing, carving, and stained glass.
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John Flaxman
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John Flaxman, David Bindman, Royal Academy of Arts (Great Britain)
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William Blake: catalogue of the collection in the Fitzwilliam Museum, Cambridge
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Fitzwilliam Museum, David Bindman
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The divine comedy
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William Blake, David Bindman
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The History of British Art, Volume 3: 1870-Now
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Chris Stephens (Editor), Professor David Bindman (Editor)
Leading authorities explore the transition from the High Victorian period to the counterculture of the 1960s and the Young British Artists of the 1990s. The book brings to the fore Britain's complex role as a focus for the dissemination of modernist ideas, as well as the reaction against them, and details the political, social, and commercial ...
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The Illuminated Books of William Blake, Volume 1: Jerusalem: The Emanation of the Giant Albion
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William Blake, Morton D Paley (Editor), Professor David Bindman (Editor)
The nature of William Blake's genius and of his art is most completely expressed in his Illuminated books. In order to give full and free expression to his vision Blake invented a method of printing that enabled him to create works in which words and images combine to form pages uniquely rich in content and beautiful in form. It is only through ...
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William Blake: The Complete Illuminated Books
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by
Professor David Bindman (Introduction by), William Blake, John Commander (Foreword by)
This volume contains every page of Blake's 20 or so illuminated books, reproduced in facsimile. It features his great prophetic poems, for example, "Jersualem" and "Songs of Innocence and of Experience".
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Hogarth: Representing Nature's Machine
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David Bindman (Editor), Peter Wagner (Editor), Frederic Ogee (Editor)
This work provides a perspective on the work of the great British painter and printmaker William Hogarth. By focusing on his most famous works, such as "The Harlot's Progress" and "The Rake's Progress", this collection of essays applies studies of science and philosophy from the period to give a more accurate sense of the meanings in Hogarth's art ...
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William Blake: Illustrations of the Book of Job
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by
Malcolm Cormack, Professor David Bindman (Afterword by)
Published in conjunction with a 1997-98 exhibition at the Virginia Museum of Fine Arts. Contains 21 plates reproducing Blake's 1825-6 commissioned line-engraving illustrations of the biblical text, as well as details of study sketches and related drawings. Also contains six color plates of Blake's
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