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Graham Nash's second solo effort has been overshadowed by his harmonic heroics as a senior partner in the various Crosby, Stills, Nash & Young ... More

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In many ways, Willis Alan Ramsey's debut album makes him sound like the archetypical Texas singer/songwriter; there's more than a little Guy Clark in ... More

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Steve Young's records are always exercises in paradox and Switchblades of Love is no exception; perhaps it creates the rule. This album -- with a ... More

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Treasury of Folk: Folk Rock 1964-1968 collects some of the '60s most popular folk-rock songs, including We Five's "You Were on My Mind," the Cyrkle's ... More

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What distinguishes Steve Young's classic Seven Bridges Road -- a follow-up to the well-received A&M album Rock Salt and Nails -- is the appearance ... More

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Bringing It All Back Home, Vol. 1 is the first of three volumes of Irish and Irish-related music "produced in conjunction with a BBC television ... More

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Mountain Stage: Folk Live contains highlights from the weekly radio show, this time concentrating on performers who fall into a loose definition of ... More

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Things are starting to wear thin on BMG's third volume of Bob Dylan cover songs. Although this two-disc set has some high points, in the end it ... More

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For his second album, Rodriguez decamped to London at the request of producer Steve Rowland, who had heard Cold Fact and wanted to produce him. Since ... More

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The folks at Manifesto have done an excellent job in keeping the music of Tim Buckley on the market over the past ten years, even going so far as to ... More

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There was a mini-genre of singer/songwriters in the late '60s and early '70s that has never gotten a name. They were folky but not exactly folk-rock ... More

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Cutting back on the guest musicians of her previous effort and paring down to a basic small group of musicians helps add immediacy to Night Ride Home ... More

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Joni Mitchell returned to the relatively spare style of albums like Hejira and her early folk collections on Turbulent Indigo, emphasizing her ... More

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On For the Roses, Joni Mitchell began to explore jazz and other influences in earnest. As one might expect from a transitional album, there is a lot ... More

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Joni Mitchell here turned to guests like Michael McDonald, Thomas Dolby, Don Henley, James Taylor, and Wayne Shorter, continuing to straddle the ... More

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By the time Tommy Flanders put out his little-heard solo album in 1969, he'd moved into music which had little to do with the blues and R&B covers he ... More

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When listening to this rather remarkable document, it becomes alarmingly clear what the post-Buffalo Springfield Stephen Stills brought to the ... More

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The reclusive and enigmatic Fred Neil really didn't care one hoot about the machinations of the music business, and while it is tempting to compare ... More

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With Fleeting Days, singer/songwriter Dan Bern seems to finally escape from the formidable influence of Bob Dylan on his songwriting. Instead, the 13 ... More

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Shadows and Light is Joni Mitchell's second live album, and it serves as a good retrospective of her jazzy period from 1975-1979. As expected, she ... More

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