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After years of touring, Tommy Keene -- one of America's most criminally underappreciated songwriters -- decided to fulfill fans' wishes and release a ... More

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Year of the Rhinos is a pop underground release from Swedish natives the Rhinos. From the first guitar pickings, one can tell that the Rhinos have ... More

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The Lilac Time's self-titled debut is the start of a perfect career. Right off the bat, Stephen Duffy and company mix poetry, pop melodies, and folk ... More

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The Lilac Time's self-titled debut is the start of a perfect career. Right off the bat, Stephen Duffy and company mix poetry, pop melodies, and folk ... More

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As the spawning ground for alternative rock icons like R.E.M. and the B-52's as well as everyone from jam band roadhogs Widespread Panic to latter ... More

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Dixon's domestic debut featured more of his skewed songs, and here he was aided and abetted by such compatriots as Mitch Easter and Marti Jones (who ... More

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With Any Kind of Lie, Marti Jones strives for autonomy; keeping the covers to a minimum (only Clive Gregson's "Second Choice" and Loudon Wainwright's ... More

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Don Dixon is known primarily as a producer, but this rock-solid collection of original songs will make you wish he'd step out from behind the board ... More

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Marti Jones' best effort to date, Used Guitars expands on her folk-pop foundations to stretch into soul ("Twisted Vines") and piano ballads (the ... More

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A superstar who took five years to follow up an album that, in turn, had been his first in six years would be matching the marketplace these days, ... More

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Appearing more than five and a half years after it was recorded, Live at Spirit Square chronicles a Marti Jones performance from August 29, 1990, ... More

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For the all-star Match Game, Marti Jones and producer Don Dixon are joined by guests including Marshall Crenshaw, Mitch Easter, T-Bone Burnett, ... More

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Pop Culture: Top Hits, Vol. 2 includes instrumental remakes of pop radio hits including "What's Left of Me" (Nick Lachey), "Cool" (Gwen Stefani), ... More

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If you grew up in a certain part of the South, you knew Don Dixon as one of the leading members of Arrogance, a near-legendary North Carolina pop ... More

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Dixon put together Most of the Girls Like to Dance but Only Some of the Boys Do out of demos cut from 1981-1984. It's a kind of best-of from a man ... More

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An intimate live album featuring many of the best songs from the two previous albums. ~ William Ruhlmann, Rovi

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There's been a wave of whole-album covers lately, both live and on disc (for a magnificent recent example, see Blood on the Tracks by Mary Lee's ... More

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Turning away from the sweet pop of Out of Time, R.E.M. created a haunting, melancholy masterpiece with Automatic for the People. At its core, the ... More

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Turning away from the sweet pop of Out of Time, R.E.M. created a haunting, melancholy masterpiece with Automatic for the People. At its core, the ... More

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The North Carolina band's second album stakes out much the same territory as the first: harmony pop/rock with an indie slant that rocks harder than ... More

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Uncle Green's major-label debut also happens to be the band's best album, and sadly, its last. Having won a contract with Atlantic on the strength of ... More

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