Considering that Help! functions as the Beatles' fifth album and as the soundtrack to their second film -- while filming, they continued to release non-LP singles on a regular basis -- it's not entirely surprising that it still has some of the weariness of Beatles for Sale. Again, they pad the album with covers, but the Bakersfield bounce of "Act ...
Considering that Help! functions as the Beatles' fifth album and as the soundtrack to their second film -- while filming, they continued to release non-LP singles on a regular basis -- it's not entirely surprising that it still has some of the weariness of Beatles for Sale. Again, they pad the album with covers, but the Bakersfield bounce of "Act Naturally" adds new flavor (along with an ideal showcase for Ringo's amiable vocals) and "Dizzy Miss Lizzy" gives John an opportunity to flex his rock & roll muscle. George is writing again and if his two contributions don't touch Lennon and McCartney's originals, they hold their own against much of their British pop peers. Since Lennon wrote a third more songs than McCartney, it's easy to forgive a pair of minor numbers ("It's Only Love," "Tell Me What You See"), especially since they're overshadowed by four great songs. His Dylan infatuation holds strong, particularly on the plaintive "You've Got to Hide Your Love Away" and the title track, where the brash arrangement disguises Lennon's desperation. Driven by an indelible 12-string guitar, "Ticket to Ride" is another masterpiece and "You're Going to Lose That Girl" is the kind of song McCartney effortlessly tosses off -- which he does with the jaunty "The Night Before" and "Another Girl," two very fine tunes that simply update his melodic signature. He did much better with "I've Just Seen a Face," an irresistible folk-rock gem, and "Yesterday," a simple, beautiful ballad whose arrangement -- an acoustic guitar supported by a string quartet -- and composition suggested much more sophisticated and adventurous musical territory, which the group immediately began exploring with Rubber Soul. ~ Stephen Thomas Erlewine, Rovi
Private Press. Folio-over 12"-15" tall. Signed by Author Here is an iconic Beatles signed LP. One of the most iconic LP sleeves ever made. This is an incredibly rare SIGNED Beatles presentation. This is the iconic HELP! , UK LP. Presented here SIGNED-AUTOGRAPHED BY THE Sgt Pepper sleeve artist and designer PETER BLAKE in pen to front sleeve. Peter Blake has signed the sleeve in thick black pen as shown. Obtained in person direct from the British artist. A seldom seen signature on Beatles ephemera and a rapidly risinging price on this signature. BUY A GENUINE PETER BLAKE BEATLES AUTOGRAPH now, before these prices are never seen again. The album is accompanied by the full rare and signed insurance letter of authentification. PETER BLAKE seldom signs items nowadays, here is a great original SIGNED PETER BLAKE LP, with the LP inside! This is not a preprint or reproduction. This is a very rare original signature by hand from perhaps the most famous pop artists of all time. The album has some marks and wear over the years but no tears or serious damage. Signature is very clean and recognisable. Highly collectable and a surefired investment. Be sure to only buy your genuine Beatles autographs from the home of the original Beatles memorabilia specialists RARE AND SIGNED. We specialise in Pete Best and Beatles memorabilia.
Private Press. Folio-over 12"-15" tall. Signed by Author This is an incredibly rare SIGNED presentation. This is the iconic Help, the UK LP. Presented here SIGNED by all four band members in pen to front sleeve. Each musician has signed the sleeve in biro pen. Obtained in person from a personal collection of a very famous late British DJ. The album is accompanied by a letter from the previous owner. This is not a preprint or reproduction. This is a very rare set of original signatures by hand from perhaps the most famous music band of all time. The album has usual wear and marks over the years-there is also some staining to the rear. Signatures are clean and recognisable, Highly collectible and a surefired investment.
Being a huge fan of the Beatles, of course the song "Help!" is on my list of faves, but this entire album (with two exceptions) has made it to the list as well. From the title track thru to "Yesterday", the CD goes from hard-rockin' to sweet mournfulness, to country-western and back again to rock. It's a treat to hear Ringo get his chops in on "Act Naturally", and the tight harmonies on "The Night Before". Paul's songwriting is in peak form with "Another Girl", "I've Just Seen A Face" and of course "Yesterday"; and George is given a slot on the lineup with "You Like Me Too Much", although in today's world the lyrics come across a little creepy and stalker-ish. John's strengths come thru as well with the title track and "Ticket To Ride", but with "It's Only Love" he seems to have created a song-on-demand, a throwaway bit of fluff with hackneyed phrasing to fill up the allotted time on the album. The other song I don't like is "Dizzy Miss Lizzy", but only because the twangy electronic guitar riff predominates, and after a while it's the only thing I can hear. So overall, you get the big hits from the film, but also some sweet song treats that are often overlooked.