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Conductor Peter Dijkstra's recording of the Fauré Requiem with Münchener Kammerorchester and Chor des Bayerischen Rundfunks offers few surprises, and ...Show synopsisConductor Peter Dijkstra's recording of the Fauré Requiem with Münchener Kammerorchester and Chor des Bayerischen Rundfunks offers few surprises, and that should be taken as high praise, because that is just what one is usually looking for in a performance of this piece: nuanced subtlety and untroubled serenity that allows the music to speak eloquently for itself. The orchestra and chorus perform with absolute assurance and a secure grasp of the tonal and stylistic warmth the music requires, and their precision in both intonation and articulation is immaculate. Dijkstra keeps the music flowing at an unhurried but purposeful pace that feels neither rushed nor slack, maintaining a forward momentum through his attentive and supple shaping of the Fauré's graceful phrases. The soloists, soprano Sunhae Im and baritone Konrad Jarnot, express a confident poise and tonal radiance that beautifully matches the chorus. Dijkstra uses the composer's early version of the Requiem, scored for chamber orchestra rather...Hide synopsis
Faure: Requiem – CD
(2011)
by Barbara Fleckstein (soprano), Daniel Giglberger (violin), Konrad Jarnot (baritone), Max Hanft (organ), Sunhae Im (soprano);...
Faure: Requiem (Sony Classical) – CD (2011)
by
Barbara Fleckstein (soprano), Daniel Giglberger (violin), Konrad Jarnot (baritone), Max Hanft (organ), Sunhae Im (soprano);...
CD, Sony Classical 2011
UPC: 886979110823
Conductor Peter Dijkstra's recording of the Fauré Requiem with Münchener Kammerorchester and Chor des Bayerischen Rundfunks offers few surprises, and that should be taken as high praise, because that is just what one is usually looking for in a performance of this piece: nuanced subtlety and untroubled serenity that allows the music to speak eloquently for itself. The orchestra and chorus perform with absolute assurance and a secure grasp of the tonal and stylistic warmth the music requires, and their precision in both ...Show moreConductor Peter Dijkstra's recording of the Fauré Requiem with Münchener Kammerorchester and Chor des Bayerischen Rundfunks offers few surprises, and that should be taken as high praise, because that is just what one is usually looking for in a performance of this piece: nuanced subtlety and untroubled serenity that allows the music to speak eloquently for itself. The orchestra and chorus perform with absolute assurance and a secure grasp of the tonal and stylistic warmth the music requires, and their precision in both intonation and articulation is immaculate. Dijkstra keeps the music flowing at an unhurried but purposeful pace that feels neither rushed nor slack, maintaining a forward momentum through his attentive and supple shaping of the Fauré's graceful phrases. The soloists, soprano Sunhae Im and baritone Konrad Jarnot, express a confident poise and tonal radiance that beautifully matches the chorus. Dijkstra uses the composer's early version of the Requiem, scored for chamber orchestra rather...Hide
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