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Following the success of her recordings of J.S. Bach's Goldberg Variations and The Berlin Concert for Telarc, Simone Dinnerstein switched to Sony for ...Show synopsisFollowing the success of her recordings of J.S. Bach's Goldberg Variations and The Berlin Concert for Telarc, Simone Dinnerstein switched to Sony for her 2011 album, Bach: A Strange Beauty, which presents a mix of Bach's keyboard works performed on piano, including transcriptions by Ferruccio Busoni, Wilhelm Kempff, and Myra Hess. Lest there be any confusion, Dinnerstein's performances are not aimed at the Baroque purist who would prefer in the first place to hear this music played on harpsichord in period style and would reject the modern arrangements out of hand. Rather, she appeals to a mainstream audience that accepts modernizing Bach and enjoys hearing the full sonorities of a piano. Once past this stylistic hurdle, Dinnerstein offers three chorales that reflect the taste of a bygone age, when the Lisztian idea to dress Bach's counterpoint in pianistic textures dominated. Busoni's thickened version of Ich ruf zu dir, Herr Jesu Christ; Kempff's robust take on Nun freut euch, lieben Christen gmein;...Hide synopsis
Bach: A Strange Beauty (Sony Classical) – CD (2011)
by
Simone Dinnerstein (piano), Staatskapelle Berlin
CD, Sony Classical 2011
UPC: 886978174222
Following the success of her recordings of J.S. Bach's Goldberg Variations and The Berlin Concert for Telarc, Simone Dinnerstein switched to Sony for her 2011 album, Bach: A Strange Beauty, which presents a mix of Bach's keyboard works performed on piano, including transcriptions by Ferruccio Busoni, Wilhelm Kempff, and Myra Hess. Lest there be any confusion, Dinnerstein's performances are not aimed at the Baroque purist who would prefer in the first place to hear this music played on harpsichord in period style and would ...Show moreFollowing the success of her recordings of J.S. Bach's Goldberg Variations and The Berlin Concert for Telarc, Simone Dinnerstein switched to Sony for her 2011 album, Bach: A Strange Beauty, which presents a mix of Bach's keyboard works performed on piano, including transcriptions by Ferruccio Busoni, Wilhelm Kempff, and Myra Hess. Lest there be any confusion, Dinnerstein's performances are not aimed at the Baroque purist who would prefer in the first place to hear this music played on harpsichord in period style and would reject the modern arrangements out of hand. Rather, she appeals to a mainstream audience that accepts modernizing Bach and enjoys hearing the full sonorities of a piano. Once past this stylistic hurdle, Dinnerstein offers three chorales that reflect the taste of a bygone age, when the Lisztian idea to dress Bach's counterpoint in pianistic textures dominated. Busoni's thickened version of Ich ruf zu dir, Herr Jesu Christ; Kempff's robust take on Nun freut euch, lieben Christen gmein;...Hide
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