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At a time when a growing number of pop songwriters were embracing a more explicitly poetic approach in their lyrics, the 1967 debut album from ...Show synopsisAt a time when a growing number of pop songwriters were embracing a more explicitly poetic approach in their lyrics, the 1967 debut album from Leonard Cohen introduced a songwriter who, rather than being inspired by "serious" literature, took up music after establishing himself as a published author and poet. The ten songs on Songs of Leonard Cohen were certainly beautifully constructed, artful in a way few (if any) other lyricists would approach for some time, but what's most striking about these songs isn't Cohen's technique, superb as it is, so much as his portraits of a world dominated by love and lust, rage and need, compassion and betrayal. While the relationship between men and women was often the framework for Cohen's songs (he didn't earn the nickname "the master of erotic despair" for nothing), he didn't write about love; rather, Cohen used the never-ending thrust and parry between the sexes as a jumping off point for his obsessive investigation of humanity's occasional kindness and frequent atrocities (both emotional and physical). Cohen's world view would be heady stuff at nearly any time and place, but coming in a year when pop music was only just beginning to be taken seriously, Songs of Leonard Cohen was a truly audacious achievement, as bold a challenge to pop music conventions as the other great debut of the year, The Velvet Underground & Nico, and a nearly perfectly realized product of his creative imagination. Producer John Simon added a touch of polish to Cohen's songs with his arrangements (originally Cohen wanted no accompaniment other than his guitar), though the results don't detract from his dry but emotive vocals; instead, they complement his lyrics with a thoughtful beauty and give the songs even greater strength. And a number of Cohen's finest songs appeared here, including the luminous "Suzanne," the subtly venomous "Master Song" and "Sisters of Mercy," which would later be used to memorable effect in Robert Altman's film McCabe and Mrs. Miller . Many artists work their whole career to create a work as singular and accomplished as Songs of Leonard Cohen, and Cohen worked this alchemy the first time he entered a recording studio; few musicians have ever created a more remarkable or enduring debut. [Leonard Cohen's back catalog had long been in need of refurbishing when Sony/BMG released a remastered edition of Songs of Leonard Cohen in 2007. The new edition featured two bonus tracks recorded during the original sessions for the album, "Store Room" and "Blessed Is the Memory," and while neither is a major discovery, they're fine songs and worthy additions to the set. The album's audio is subtly but noticeably improved, and the beautifully designed package includes lyrics for the original album's ten songs as well as an essay from Anthony DeCurtis.] ~ Mark Deming, RoviHide synopsis
Songs of Leonard Cohen [Bonus Tracks] (Sony Music Distribution) – CD (2007)
by
Leonard Cohen
CD, Sony Music Distribution 2007
1 disc
UPC: 886970474221
At a time when a growing number of pop songwriters were embracing a more explicitly poetic approach in their lyrics, the 1967 debut album from Leonard Cohen introduced a songwriter who, rather than being inspired by "serious" literature, took up music after establishing himself as a published author and poet. The ten songs on Songs of Leonard Cohen were certainly beautifully constructed, artful in a way few (if any) other lyricists would approach for some time, but what's most striking about these songs isn't Cohen's ...Show moreAt a time when a growing number of pop songwriters were embracing a more explicitly poetic approach in their lyrics, the 1967 debut album from Leonard Cohen introduced a songwriter who, rather than being inspired by "serious" literature, took up music after establishing himself as a published author and poet. The ten songs on Songs of Leonard Cohen were certainly beautifully constructed, artful in a way few (if any) other lyricists would approach for some time, but what's most striking about these songs isn't Cohen's technique, superb as it is, so much as his portraits of a world dominated by love and lust, rage and need, compassion and betrayal. While the relationship between men and women was often the framework for Cohen's songs (he didn't earn the nickname "the master of erotic despair" for nothing), he didn't write about love; rather, Cohen used the never-ending thrust and parry between the sexes as a jumping off point for his obsessive investigation of humanity's occasional kindness and frequent atrocities (both emotional and physical). Cohen's world view would be heady stuff at nearly any time and place, but coming in a year when pop music was only just beginning to be taken seriously, Songs of Leonard Cohen was a truly audacious achievement, as bold a challenge to pop music conventions as the other great debut of the year, The Velvet Underground & Nico, and a nearly perfectly realized product of his creative imagination. Producer John Simon added a touch of polish to Cohen's songs with his arrangements (originally Cohen wanted no accompaniment other than his guitar), though the results don't detract from his dry but emotive vocals; instead, they complement his lyrics with a thoughtful beauty and give the songs even greater strength. And a number of Cohen's finest songs appeared here, including the luminous "Suzanne," the subtly venomous "Master Song" and "Sisters of Mercy," which would later be used to memorable effect in Robert Altman's film McCabe and Mrs. Miller . Many artists work their whole career to create a work as singular and accomplished as Songs of Leonard Cohen, and Cohen worked this alchemy the first time he entered a recording studio; few musicians have ever created a more remarkable or enduring debut. [Leonard Cohen's back catalog had long been in need of refurbishing when Sony/BMG released a remastered edition of Songs of Leonard Cohen in 2007. The new edition featured two bonus tracks recorded during the original sessions for the album, "Store Room" and "Blessed Is the Memory," and while neither is a major discovery, they're fine songs and worthy additions to the set. The album's audio is subtly but noticeably improved, and the beautifully designed package includes lyrics for the original album's ten songs as well as an essay from Anthony DeCurtis.] ~ Mark Deming, RoviHide
Description:New. 886970474221 This item is BRAND NEW and factory fresh ...New. 886970474221 This item is BRAND NEW and factory fresh (sealed if applicable). D.
Description:New. Buy with confidence-Satisfaction Guaranteed! Delivery...New. Buy with confidence-Satisfaction Guaranteed! Delivery Confirmation included for all orders in the US.
Description:BRAND NEW. The back catalog of folk rock's ageless poet is...BRAND NEW. The back catalog of folk rock's ageless poet is undergoing a thorough re-release campaign, beginning with this, his stunning 1967 debut. Featuring Suzanne; Master Song; Winter Lady; The Stranger Song; Hey, That's No Way to Say Goodbye; One of Us Cannot Be Wrong, plus 6 more, including a pair of previously unissued tracks from the original John Hammond sessions. Attributes: BONUS TRACKS, REMASTERED.
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Description:We quickly deliver original, brand new & factory sealed CDs....We quickly deliver original, brand new & factory sealed CDs. Make your purchase from a trustworthy source!
Description:Fair. 886970474221 This item is pre-owned-acceptable condition...Fair. 886970474221 This item is pre-owned-acceptable condition-may include notes, markings, underlining, highlighting, bent corners, scuffed edges, creased pages, shelf wear, and DVD may show minor scratches/fingerprints that do not affect playback. Please allow 4-14 business days for Standard shipping, within the US. Thank you for supporting our small, family-owned business!