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Hummel's oratorio Der Durchzug durchs Rote Meer (The Passage Through the Red Sea) was long thought to have been lost, but a copy has surfaced in a ...Show synopsisHummel's oratorio Der Durchzug durchs Rote Meer (The Passage Through the Red Sea) was long thought to have been lost, but a copy has surfaced in a London collection. This is the work's world-premiere recording and perhaps its premiere performance: according to the booklet, it was never performed during Hummel's lifetime. After you hear it, that fact will surprise you; the music has a formal freedom that would lead you to believe that later composers could easily have been familiar with it. The work was probably written in the first part of Hummel's career, when he followed Haydn as music director at Esterháza castle, and it shows the impact of Haydn's late masses, of Die Schöpfung, and of Beethoven's early choral music. However, it has plenty of original ideas, and it doesn't sound much like Hummel's better-known instrumental works. It is quite compact, and its most distinctive feature is flexible text setting that achieves considerable power. The individual numbers are not set pieces for chorus or for...Hide synopsis
Hummel: Der Durchzug durchs Rote Meer (CPO) – CD (2007)
by
Ekkehard Abele (bass), Hans-Jörg Mammel (tenor), Simone Kermes (soprano), Veronika Winter (soprano);...
CD, CPO 2007
UPC: 761203722020
Hummel's oratorio Der Durchzug durchs Rote Meer (The Passage Through the Red Sea) was long thought to have been lost, but a copy has surfaced in a London collection. This is the work's world-premiere recording and perhaps its premiere performance: according to the booklet, it was never performed during Hummel's lifetime. After you hear it, that fact will surprise you; the music has a formal freedom that would lead you to believe that later composers could easily have been familiar with it. The work was probably written in ...Show moreHummel's oratorio Der Durchzug durchs Rote Meer (The Passage Through the Red Sea) was long thought to have been lost, but a copy has surfaced in a London collection. This is the work's world-premiere recording and perhaps its premiere performance: according to the booklet, it was never performed during Hummel's lifetime. After you hear it, that fact will surprise you; the music has a formal freedom that would lead you to believe that later composers could easily have been familiar with it. The work was probably written in the first part of Hummel's career, when he followed Haydn as music director at Esterháza castle, and it shows the impact of Haydn's late masses, of Die Schöpfung, and of Beethoven's early choral music. However, it has plenty of original ideas, and it doesn't sound much like Hummel's better-known instrumental works. It is quite compact, and its most distinctive feature is flexible text setting that achieves considerable power. The individual numbers are not set pieces for chorus or for...Hide
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